Elliott Colla Quotes
Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference. In a way, if someone says this didn't feel exactly right, I don't care. But that is not okay to do in academia - it's not about feeling. You want to establish a pretty solid case. So did this allow me to express things differently? Absolutely. Another thing I've been thinking about as an academic: our writing style is expository, and in fiction, withholding information matters quite a bit. Withholding things in academia - there's no place for that!
Quotes to Explore
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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Ottawa is a hot spot of Canadian crime writing, with perhaps the greatest concentration of active, involved, published crime writers anywhere.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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A man's face is his autobiography. A woman's face is her work of fiction.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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After all these years of cooking and writing recipes, I am still amazed every time I notice how even the minutest of variation in technique can make a spectacular difference.
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Music has always been a huge passion in my life. I've just had such success with my acting that it's really been right alongside of it, and I've always been writing and playing and singing.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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The wealth of information now available at the click of a finger amazes me.
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When I write, I don't allow the fear of consequences to interfere with the writing process. I have in the past paid for my commitment to the truth and the way I live my life. I am prepared to pay more if I have to.
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David Mamet's writing is pretty spectacular, obviously. I like the honesty of it; I like how funny it is and how sad it is.
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Mystery writing involves solving a puzzle, but 'high suspense' writing is a situation whereby the writer thrusts the hero/heroine into high drama.
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When I begin writing, I have no idea what my novels are ultimately going to be about. I don't have a plot. I never consider a theme. I don't make notes or outlines.
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I have now attained the true art of letter-writing, which we are always told, is to express on paper exactly what one would say to the same person by word of mouth.
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I didn't really see a way to make a living on the farm. I always loved writing. I was the guy who won the D.A.R. essay contest and things like that, and it was the era of Watergate, and I decided I would be the next Woodward and Bernstein, and then retire to the farm.
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I was always determined that one way or another I would force a book on the world, even if I had to resort to writing one about a tabby cat who solves mysteries.
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Ultimately if you're a journalist, one day you're writing about figure skating, one day a political debate. I loved that about reporting. I like throwing my energies into various corners of the world.
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We can skip through a lot of the stuff people might ask about the writing of the book, and so their comments always start well, well down into the nitty-gritty.
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We lived in a suburb of Birmingham where I attended the local state school from the age of five. I then went on to King Edward VI High School in Edgbaston, Birmingham.
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Diversity and inclusion are always something industries should strive for.
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When I was two and a half or three, my mom got a call from someone asking if wanted to go on an audition. I ended up getting the job; it was a commercial for Hasbro. It was my first audition and first commercial. I just had to smile and laugh and dance around.
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All psychological research is completely barred by the interpretations of the psychoanalysts. Everything happens in the unconscious, and I don't know what this unconscious is.
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Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference. In a way, if someone says this didn't feel exactly right, I don't care. But that is not okay to do in academia - it's not about feeling. You want to establish a pretty solid case. So did this allow me to express things differently? Absolutely. Another thing I've been thinking about as an academic: our writing style is expository, and in fiction, withholding information matters quite a bit. Withholding things in academia - there's no place for that!
