Elliott Colla Quotes
Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference. In a way, if someone says this didn't feel exactly right, I don't care. But that is not okay to do in academia - it's not about feeling. You want to establish a pretty solid case. So did this allow me to express things differently? Absolutely. Another thing I've been thinking about as an academic: our writing style is expository, and in fiction, withholding information matters quite a bit. Withholding things in academia - there's no place for that!
Quotes to Explore
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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Ottawa is a hot spot of Canadian crime writing, with perhaps the greatest concentration of active, involved, published crime writers anywhere.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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A man's face is his autobiography. A woman's face is her work of fiction.
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When I'm writing, I spend all my time in The Grocer on Elgin buying ready-made meals; I think they are the only reason my husband and kids haven't left me.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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After all these years of cooking and writing recipes, I am still amazed every time I notice how even the minutest of variation in technique can make a spectacular difference.
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I think the beauty of the writing of 'Game of Thrones' is not that the characters are fearless; it's how they overcome their fear, you know?
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Music has always been a huge passion in my life. I've just had such success with my acting that it's really been right alongside of it, and I've always been writing and playing and singing.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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The wealth of information now available at the click of a finger amazes me.
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When I write, I don't allow the fear of consequences to interfere with the writing process. I have in the past paid for my commitment to the truth and the way I live my life. I am prepared to pay more if I have to.
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David Mamet's writing is pretty spectacular, obviously. I like the honesty of it; I like how funny it is and how sad it is.
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Mystery writing involves solving a puzzle, but 'high suspense' writing is a situation whereby the writer thrusts the hero/heroine into high drama.
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When I was younger, I avoided exercise or anything strenuous. I didn't even enjoy walking. As I got older, I spent so much time marking books or sitting at a desk writing that there was no room for exercise - not that I would have bothered anyway.
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When I begin writing, I have no idea what my novels are ultimately going to be about. I don't have a plot. I never consider a theme. I don't make notes or outlines.
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I have now attained the true art of letter-writing, which we are always told, is to express on paper exactly what one would say to the same person by word of mouth.
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I do not carry such information in my mind since it is readily available in books. ...The value of a college education is not the learning of many facts but the training of the mind to think.
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A surfeit of information often hides an untruth,” he said, with annoying clarity.
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Once I started doing specials I always incorporated "Fluffy" into it. But with Stand-Up Revolution, I left it out because I want it to be different for people. I'm there, yes, but it's something different.
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I don't believe in categorising a gender, as it makes for discord. People always say, 'That's what men are like' or, 'That's what women do'; I don't really feel that at all. I think that's because I have two fathers, three brothers, a husband and two sons. I'm surrounded by maleness, and I couldn't possibly summarise them into a type.
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If you're using live bass versus orchestral bass, you've got to make sure that you're not stepping on the toes of the other elements, so you've got to balance it out.
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Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference. In a way, if someone says this didn't feel exactly right, I don't care. But that is not okay to do in academia - it's not about feeling. You want to establish a pretty solid case. So did this allow me to express things differently? Absolutely. Another thing I've been thinking about as an academic: our writing style is expository, and in fiction, withholding information matters quite a bit. Withholding things in academia - there's no place for that!
