Natasha Bedingfield Quotes
Quotes to Explore
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Whenever there were parties, I wasn't invited because I began to be like that character. In a way, that contributed to the success of the performance.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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As the scripts come in they are sent to the artists, and the artists are either very busy, or ready to start.
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You get your heart stomped by the opposite sex, and you're hurting so badly that you write 'Sometimes When We Touch.' But then what happens when you've been married for 25 years? You can't rely on those emotional male-female roller coasters. You have to start using your imagination and the powers of empathy more.
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I try to give the appearance that I have it all together and that I know what I'm talking about, but at the end of the day, I think I might be full of crap.
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The last thing I wanted was to be with someone who's the same age as me and wanted the limelight, wanted the attention. There's lots of girls out there who do.
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Gangsta to us didn't have anything to do with Al Capone and stuff like that. It's just about living your life the way you want to live it. And you're not going to let nothing stop you.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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We have almost succeeded in leveling all human activities to the common denominator of securing the necessities of life and providing for their abundance.
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As a free-speech advocate, I believe that adults should have access to any material they want. As a parent, and a community member, I think people should be able to protect their homes from imagery - much of it violent - that is, I feel, a form of child abuse when adult society inflicts it upon children.
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It is right that we be concerned with the scientific probity of metaphysics.
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Working with Bruno Mars would be really awesome. I'm such a fan of his, and I love that he's a real artist.
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I love sitcoms, and I grew up on sitcoms. That's my tasty junk food.
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I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
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English people are famous for never speaking out but only saying what they really feel about you behind your back. Americans believe the shortest distance between two points is a straight line. I like exploring those, er, differences in national snippiness.
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I learned that when you stand up for what you believe in, you'll get a lot of support. But there are always going to be negative things said about you.
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Where radio is different than fiction is that even mediocre fiction needs purpose, a driving question.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that's maybe what helped me to get the part.
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I love developing children as characters. Children rarely have important roles in literary fiction - they are usually defined as cute or precious, or they create a plot by being kidnapped or dying.
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Almost everybody's happy to be a fool for love.
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Folk-punk artists like This Bike Is A Pipe Bomb or Paul Baribeau were popular in the Florida punk community. I saw people early on combine roots music with more aggressive music.
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Those shows I did with Queen were pretty surreal. I was really excited and super-flattered, but intimidated at the same time.
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The common denominator is a love of music.
