Elsie de Wolfe Quotes
A woman of the world should always be the mistress of sorrow and not its servant. She may have a grief but never a grievance.
Quotes to Explore
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In China, because Chinese is a tonal language, it can be kind of hard to follow people's emotional tracks. There was one moment where a woman I was interviewing just sort of burst into tears, and I can usually sort of tell when things are coming on, and in that moment, it was very unexpected.
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I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
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Let me tell you something - being thought of as a beautiful woman has spared me nothing in life. No heartache, no trouble. Love has been difficult. Beauty is essentially meaningless and it is always transitory.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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This woman's work is exceptional. Too bad she's not a man.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.
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I don't walk into the lab in the morning thinking, 'I am a woman, and I will carry out an experiment that will conquer the world.' I am a scientist, not male or female. A scientist.
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Am I old-fashioned? I think I might be. I am a lucky woman, because I was born with a priceless gift... the ability to laugh at the misfortunes of others.
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But I do not believe that the world would be entirely different if there were more women leaders. Maybe if everybody in leadership was a woman, you might not get into the conflicts in the first place. But if you watch the women who have made it to the top, they haven't exactly been non-aggressive - including me.
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Death has its revelations: the great sorrows which open the heart open the mind as well; light comes to us with our grief. As for me, I have faith; I believe in a future life. How could I do otherwise? My daughter was a soul; I saw this soul. I touched it, so to speak.
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I love a woman who can out-eat me.
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My films are about ideals that clash with the world. Every time it's a man in the lead, they have forgotten about the ideals. And every time it's a woman in the lead, they take the ideals all the way.
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We learned to put discipline in the haircuts by using actual geometry, actual architectural shapes and bone structure. The cut had to be perfect and layered beautifully, so that when a woman shook it, it just fell back in.
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I believe it's a woman's right to decide what she wants to wear and if a woman can go to the beach and wear nothing, then why can't she also wear everything?
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The 1970s 'Wonder Woman' was sort of a kitsch thing. It was a very specific time for that, and it's hard to modernize something like that.
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A man can be happy with any woman, as long as he does not love her.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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Our intention is to really explore this transition and, beyond that, explore the particular things that someone comes up against when they're gay or lesbian.
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I have come to understand that in order to effectively advance women's rights, we need to galvanize a global women's movement.
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Government can have no more than two legitimate purposes - the suppression of injustice against individuals within the community, and the common defense against external invasion.
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A woman of the world should always be the mistress of sorrow and not its servant. She may have a grief but never a grievance.
