Brett Weston Quotes
Quotes to Explore
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I've fallen victim to worrying about what everybody thinks. It's never going to be that everyone is happy. You just gotta know what you like and go with it.
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I went to Floridita on Wardour Street when I was 18. All I could afford was pumpkin soup and a glass of champagne, but it was worth it.
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People who live in glass houses... have to answer the door.
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I'm not against technology, but all tools should be used to their best advantage. We should be spending our time on things that have staying power, instead of on the latest thought of the latest blogger - and then moving on quickly to the next blogger.
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I couldn't go now to a brand that had a niche attitude like... gothic. I couldn't do that. Well, I could do it, but I wouldn't find it interesting, challenging.
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While studying at Barcelona, Ignatius was in doubt whether, after completing his studies, he should enter some Religious Order, or go from place to place, according to his custom. He decided to enter upon the religious life.
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Above all, I try to create an emotion to which others can respond.
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Conviction without experience makes for harshness.
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I came into the rap game in 1992; my life was changing, but my group wasn't successful; I also saw the biggest rappers in the world die all of a sudden in the ensuing years, so it was a matter of conquering yourself before you can conquer the world.
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Most of us were probably less than immaculately honest as teenagers; it's practically encoded into adolescence that you savor your secrets, dress in disguise, carve out some space for experiments and accidents and all the combustible lab work of becoming who you are.
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'The Shining,' 'A Nightmare on Elm Street,' 'Halloween.' Those are the greats.
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Hip-hop is all about impact, baby. You can sell records, you can be two-times platinum, you can be gold... but if you lame, you lame, man. We try to provide the exact opposite of that. It's style, individuality, confidence. We exude that.
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The pain of powerlessness is excruciating. It is the most painful experience in the earth school, and everyone shares it.
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The single biggest surprise about arriving to the Senate is the defeatist attitude here.
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I think we have too much history. It’s not so important. I think people should have fun and enjoy their own time. I haven’t done much, so why should I waste people’s memory?'
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I just feel like I haven't grown up yet. I live on my own and I do grown-up things, but there is something about me that is very youthful.
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Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good.
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I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
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We wanted to win the game. I don't care about the 8-and-8. I wanted to take care of business and we did not do that.
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I think that when you put yourself, as actors have to do, in other people's shoes, when you have to put on the costume that someone else has worn in their life, it gets much, much harder to be prejudiced against them and even to be - to not try to look at the world in a sense of "I'm not going to judge somebody. I'm going to try to understand who they are and what they're about."
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How come "fat chance" and "slim chance" mean the same thing?
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Photographic technique is no secret and – provided the interest is there – easily assimilated. But inspiration comes from the soul and when the Muse isn’t around even the best exposure meter is very little help. In their biographies, artists like Michelangelo, da Vinci and Bach said that their most valuable technique was their ability to inspire themselves. This is true of all artists; the moment there is something to say, there becomes a way to say it.
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Photography is 90% sheer, brutal drudgery! The other 10% is inspiration!!
