Brian Boyd Quotes
Any artist who really engages with the problems in their medium at that moment and tries to deepen the problems is likely to discover new problems, new possibilities that will excite audiences and continue to excite them.
Quotes to Explore
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The artist is the medium between his fantasies and the rest of the world.
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The difference between what we do and what we are capable of doing would suffice to solve most of the world's problems.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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No genuinely avant-garde artist should ever be on the government dole.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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Look at the structure of the Gates Foundation and this idea that, rather than trying to solve these huge global problems through institutions with some kind of democracy and transparency baked into them, we're just going to outsource it to benevolent billionaires.
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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Each show comes with its own set of problems to work through.
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I don't believe in environmentalism as the solution to anything. What I believe is that environmentalism illuminates the things that need to be done to solve all of the problems together.
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I think that cosmetic enhancements in my profession are just an occupational hazard. But I think, more culturally, I'm interested in starting the conversation about aging gracefully and how, instead of making it a cultural problem, we make it individuals' problems.
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If any artist abuses his audience as a means to any end, noble or ignoble, he better have a damn good reason for it.
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I must try and break through the cliches about Latin America. Superpowers and other outsiders have fought over us for centuries in ways that have nothing to do with our problems. In reality we are all alone.
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I have argued above that we cannot prevent the Singularity, that its coming is an inevitable consequence of the humans' natural competitiveness and the possibilities inherent in technology.
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If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
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Perhaps the mission of an artist is to interpret beauty to people - the beauty within themselves.
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I'm not trying to become a pop artist, and I'm not trying to make sure I stay a country artist. I'm just trying to make sure I make the best music I can, according to my way.
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The true artist doesn't substitute immorality for morality. On the contrary, he always substitutes a finer morality for a grosser one.
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The way an actor is trained doesn't ultimately have much bearing on my work. I'm interested in the actor as artist.
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And you can look up just about anything, even dirty pictures. Every now and again, the dirtiest pictures you ever saw would pop up on the screen. Imagine!
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Any artist who really engages with the problems in their medium at that moment and tries to deepen the problems is likely to discover new problems, new possibilities that will excite audiences and continue to excite them.
