Emily Matchar Quotes
When we combine very real workplace inequalities with these romantic opt-out stories, the idea that "having it all" is a laughable goal becomes enshrined as immutable truth. And when we portray opting out as a simple matter of "choice," we ignore the systematic problems that make combining work and motherhood so difficult.
Quotes to Explore
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I'm covered up, but I'm still getting these comments that say I shouldn't be. But the girls who wear the bikinis, they're being told they're too revealing! Enough. It's their body, their choice.
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I like romantic comedy as a genre, but I think it can get stuck in its ways.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
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You dread that there will be real problems during filming.
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If I have a choice between looking something up and making it up, I'll make it up every time.
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I think when people make a record with a goal in mind - like taking it to the next level or making them seem more mature - that gets in the way of writing great songs.
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I am such a diehard romantic. I guess a part of me thinks I am Juliet.
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I pecked my stories out two-fingered on the Remington portable typewriter my mother had bought me. I had begged for it when I was ten.
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If I could sew comedy and philosophy together, then I've done a good job. The primary goal is always going to be laughs and the secondary goal is always going to be saying something without it being a lecture.
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Money is power and power gives you choice.
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How did I go from 'Menace II Society' to 'Love Jones?' There wasn't a poetic moment or romantic bone in O-Dog's body.
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Love is a choice you make from moment to moment.
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Interviewing someone is very similar to preparing a character, isn't it? You're just asking questions: 'Who is this person? Why did they make that choice? Why are they doing that?' You're being Sherlock Holmes.
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Goal scoring is a recurring theme. If you aren't scoring then you aren't going to win games. That's obvious.
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All who have accomplished great things have had a great aim, have fixed their gaze on a goal which was high, one which sometimes seemed impossible.
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Romantic poetry … recognizes as its first commandment that the will of the poet can tolerate no law above itself.
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Many times an actor is stuck for the lack of choices. The same happened with me when I started my career. That was the time when mainly romantic films were being made, and that is what I was offered all the time.
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I am too much in love with my lies and hypocrisies not to confess them fervently.
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I am certainly an ought and not a must.
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The destructive character lives from the feeling, not that life is worth living, but that suicide is not worth the trouble.
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When we combine very real workplace inequalities with these romantic opt-out stories, the idea that "having it all" is a laughable goal becomes enshrined as immutable truth. And when we portray opting out as a simple matter of "choice," we ignore the systematic problems that make combining work and motherhood so difficult.
