Engelbert Humperdinck Quotes
I recorded songs with a great deal of meaning, songs of lasting material. That's the legacy I want to leave behind - a legacy of love.
Quotes to Explore
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I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
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I think we all feel geeky at times, don't we? Isn't that all a part of the wonderful tapestry of life?
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I can't get my knickers in a twist about my age and ageing in an industry that caters to the ids of 14-year-olds.
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Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.
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You've got to either say you're going to cut taxes and find some spending cuts. I think we ought to reform long-term entitlement spending in the country, but you can't out of one side of your mouth say, 'Yes, we're for tax cuts, we're for spending discipline, and we're for bringing down the debt.'
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My brother is the former mayor of Baltimore.
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There was always that kind of imagination in our house, which was always a little crazy.
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The resolution has made a real threat of war go away and opens the way for further work in the interests of a political- diplomatic settlement of the situation around Iraq.
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I'm less crazy and unhappy when I'm writing.
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I don't know who Little Richard is.
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The first requisite for the happiness of the people is the abolition of religion.
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I think the NAACP isn't recognized enough for all of the work it does, especially in the field of law. They may have faded from view over the last couple of decades, but they are fighting the good fight.
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History should belong to all of us, and it needs to include people from different cultural backgrounds. Otherwise, it risks becoming irrelevant to children, who could then become disenchanted with education.
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Some of the most radical work is being done in the most commercially pop venues, and some of the most boring work is being done in avant-garde territory.
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I never thought of myself as a singer, like ever, ever, ever. It's hysterical that I sing.
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I can't figure out how you can hire a coach and tell him how you want him to play.
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I always take a cashmere blanket, and I have pictures of my family in my passport holder.
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My sister and I had jointly heard the narration of 'Revolver Rani' in Tigmanshu Dhulia's office. After hearing the narration, my sister was very scared and adamant that I should not do this film, as my character was twisted, neurotic, violent and abusive.
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The rite of passage of learning to build a fire that will burn all night with one match is not an insignificant one in my husband’s family, and I grew up camping and backpacking. I love to camp.
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All my photographs are about meetings and about coups de foudre - love at first sight. To do that type of photography, one must wipe the canvas clean to prepare for chance encounters, be open and aware to such moments, otherwise it becomes a cliché - already seen and expected.
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There are people who have energy that say 'don't come near me, don't get too close.' There's people like Adrienne Shelley who have the energy of 'come over here and give me a hug and if you're around me you're going to be happy about it.'
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I take it one play, one game at a time, ... I don't look any further.
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We know that the hardest work is to keep yourself open to the world that technology hasn't tamed.
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I recorded songs with a great deal of meaning, songs of lasting material. That's the legacy I want to leave behind - a legacy of love.
