Engelbert Humperdinck Quotes
My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
Quotes to Explore
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I just can't think how I would go on without children having lost Edith already... It's too upsetting for me to write about them. Naturally, I still hope, and wait, wait, wait.
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Well, of course I think people can be forgiven. But our justice system is not set up to dispense forgiveness. You can go to the local priest for that.
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The history of business has shown that companies usually only regulate themselves if they're forced to by legislation, or out of self-interest - often in the shape of a marketable message that will help sell more products.
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My schedulers keep getting driven crazy by the fact that they can't fit hikes in my schedule.
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I'm trying to learn the lessons of the past, but not to make speeches about the past.
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I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
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School is at once a place of hope, but it's also a laboratory that exposes our differences.
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The interval between a cold expectation and a warm desire may be filled by expectations of varying degrees of warmth or by desires of varying degrees of coldness.
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My parents didn't give me any scope to feel sorry for myself. They were just like 'go play with your brother, go climb a tree, go fall off your motorbike, do whatever you want. Don't come crying to us when you get scratched. You've got prosthetic legs - that's very nice.'
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We're not spokespeople, we're musicians.
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It's time to declare a cease-fire in the education arms race. We have far more to gain from collaborating to solve our common problems than competing for higher rankings.
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Some friends of mine had parents who made school a treat, a gift - not something to be endured.
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I'm believing that miracles and blessings still exist.
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The greatest achievement to any human being is to love God, yourself, and others.
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Ricky's [Reed] a lot like me. He always says we have the same brain. He does all different genres, and it just happens his first big hit as a producer was [Derulo's] "Talk Dirty to Me," and that Pitbull is his best friend. But he can actually - I swear - he can do every genre.
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Malcolm X already envisioning the N.O.I. playing a role cooperatively with integrationist organizations.
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I think sometimes I might scare the editors, because they might feel they're getting old and they're not understanding it. The problem lies on their side of the fence, not mine. I come from a different era and I design clothes for our era.
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I have never been a child prodigy. When I think back to my childhood, I can not discern any sign of future success. My only real talent couldn't be found in any curriculum: whistling.
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A lot of my fans wanted a kind of 'in your face' song. They wanted a song that exemplifies me overcoming the situation I was in and just that triumphant kind of song. So, I felt like I wanted to go ahead and get that out of both of our systems with 'Good Woman'.
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Laughter is the lightning rod of play, the eroticism of conversation; for now, I've lost the ability to make the sparks fly.
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When I first started writing songs, I was probably about ten or twelve years old, and the first thing you think as a songwriter is, 'Can this be a hit? Can this come out, and people are going to hear the song and like the song, and then they're going to like you, and you'll get famous and rich?' That hasn't changed a bit.
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My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
