Engelbert Humperdinck Quotes
My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
Quotes to Explore
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I just can't think how I would go on without children having lost Edith already... It's too upsetting for me to write about them. Naturally, I still hope, and wait, wait, wait.
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Well, of course I think people can be forgiven. But our justice system is not set up to dispense forgiveness. You can go to the local priest for that.
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The history of business has shown that companies usually only regulate themselves if they're forced to by legislation, or out of self-interest - often in the shape of a marketable message that will help sell more products.
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My schedulers keep getting driven crazy by the fact that they can't fit hikes in my schedule.
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I'm trying to learn the lessons of the past, but not to make speeches about the past.
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I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.
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School is at once a place of hope, but it's also a laboratory that exposes our differences.
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My parents didn't give me any scope to feel sorry for myself. They were just like 'go play with your brother, go climb a tree, go fall off your motorbike, do whatever you want. Don't come crying to us when you get scratched. You've got prosthetic legs - that's very nice.'
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We're not spokespeople, we're musicians.
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Some friends of mine had parents who made school a treat, a gift - not something to be endured.
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I'm believing that miracles and blessings still exist.
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The greatest achievement to any human being is to love God, yourself, and others.
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Ricky's [Reed] a lot like me. He always says we have the same brain. He does all different genres, and it just happens his first big hit as a producer was [Derulo's] "Talk Dirty to Me," and that Pitbull is his best friend. But he can actually - I swear - he can do every genre.
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Malcolm X already envisioning the N.O.I. playing a role cooperatively with integrationist organizations.
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I think sometimes I might scare the editors, because they might feel they're getting old and they're not understanding it. The problem lies on their side of the fence, not mine. I come from a different era and I design clothes for our era.
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I should estimate that in my experience most troubles and most possibilities for improvement add up to the proportions something like this: 94% belongs to the system responsibility of management 6% special
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The well-run group is not a battlefield of egos.
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So, the international community are all the countries that are important: the United States definitely everywhere; the European Union because it is very important, and also, they do show a great deal of international responsibility; and then the local players.
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That's all a man can hope for during his lifetime - to set an example - and when he is dead, to be an inspiration for history.
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I began singing in dive bars and really small clubs. I dragged my piano down the stairs, and I went down the street with my keyboard, and I would go to every different dive bar that I could get to agree to let me play. I'd call and pretend I was Lady Gaga's manager.
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My wife Margot was the - I guess, the coordinator or the production manager of The Jazz Review, and we got to know each other and we married.
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My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
