Eran Riklis Quotes
I think optimism and humour are key words for me to make the films accessible, which means they can really travel and be seen by as many people as possible.
Quotes to Explore
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I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
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Linda Hunt is so good and so sweet. She is a Tony Award nominee and won an Oscar. Pearls just come out of her mouth.
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The Bible is very clear about one thing: Using politics to create fairness is a sin.
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I have programmed myself to be at least 105 years old.
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Adversity has ever been considered the state in which a man most easily becomes acquainted with himself.
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When you save book reports, art projects and put them in a scrapbook, it shows a kid you care and you are taking an interest in their lives.
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Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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Leaks are always bad news.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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Oh my gosh, if I could be on '30 Rock', my life would be made. That is my favorite show. My absolute favorite show.
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Two years ago, if anyone had told me I'd be doing half the stuff I'm doing, I wouldn't have believed it.
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Being married to a footballer is some girls' dream, but it isn't always like that. I work.
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Climate change is destroying our path to sustainability. Ours is a world of looming challenges and increasingly limited resources. Sustainable development offers the best chance to adjust our course.
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The Hungarian interest is that, if necessary, we should make loan agreements with the IMF on a regular basis.
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A leader is a dealer in hope.
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It is the addition of strangeness to beauty that constitutes the romantic character in art.
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I never wanted fame.
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In a phrase: I always hope it keeps getting better.
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You never find virtuosity for its own sake.
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Abstract sympathy with the working class as an economic entity is easy, but the feeling can vanish on contact with actual members of the group, who often arrive with disturbing beliefs and powerful resentments - who might not sound or look like people urban progressives want to know.
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People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
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I think there's a danger that we're moving towards a state where the people we are expected to admire are almost not human anymore, and I don't like that. I prefer it when someone looks like a nice person, and you think, 'I could have a laugh with them in the pub.'
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I don't want people to think I think I am the most diverse thing fashion has ever seen or whatever. But there are so many different walks of life that I don't represent, and there is no one person who does.
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I think optimism and humour are key words for me to make the films accessible, which means they can really travel and be seen by as many people as possible.
