Eric Bachmann Quotes
As a producer you can be more objective about the songs because you didn't write them.
Quotes to Explore
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I don't really like to explain my songs.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I never write about the road. I never write about hotels or anything like that.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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My method is, I just sit down and write a book.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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I write in the studio.
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Many who resort to crime ultimately can't read or write.
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That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
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I am not scared of anyone. I will write and publish my books.
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Show me a hero and I'll write you a tragedy.
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If you want a database, you don't go out and say you're going to write it. I see platforms as going in that direction.
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I got into one of the schools I applied to because of the essay I wrote about Holly Hunter's character in 'Broadcast News.' She's the only female producer on this news network, and she's really good at her job, but she allots time in her day to just sit at her desk and cry. And then she's just back to work. I find that really effective.
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I believe you have to live the songs.
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But 'why then publish?' There are no rewards Of fame or profit when the world grows weary. I ask in turn why do you play at cards? Why drink? Why read? To make some hour less dreary. It occupies me to turn back regards On what I've seen or pondered, sad or cheery, And what I write I cast upon the stream To swim or sink. I have had at least my dream.
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What offends me the most when I hear criticisms about this so-called Africa bias is how quick we are to focus on the words and propaganda of a few powerful, influential individuals, and to forget about the millions of anonymous people who suffer from their crimes.
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As a producer you can be more objective about the songs because you didn't write them.
