Eric Bachmann Quotes
As a producer you can be more objective about the songs because you didn't write them.
Quotes to Explore
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I don't really like to explain my songs.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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If you love something - and there are things that I love - you do want more and more and more of it, but that's not the way to produce good work. So as an author, I need to write what I need to write.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I never write about the road. I never write about hotels or anything like that.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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My method is, I just sit down and write a book.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I don't have many easy songs.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I write in the studio.
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Many who resort to crime ultimately can't read or write.
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That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
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I could compose and write music and get to share it with the masses and the people around the world and to have them to receive it so beautifully - I love that.
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If you love food and you love red wine and they put you in France, you're in a good place and you're in a bad place at the same time. You have to weigh yourself every day, and you have to have an alarm number. When you get to that number, you have to start putting it in reverse.
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As a producer you can be more objective about the songs because you didn't write them.
