Sam Shepard Quotes
I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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Study first, play afterwards.
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If God wants to take my left arm, that's OK, as long as I can walk and play with my kids. I'm a lot improved. I was worse than this after the accident.
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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I don't really have an aversion to watching myself. I think I've been doing it for long enough that I have a system of separating it in my brain from my egotistical neuroses for the most part.
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I love writing songs.
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Consider well this fact: As long as the German people does not arise and use force directed by its own will, the assassination of the people will continue.
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It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.'
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And when I first came out from New York, I hadn't driven in a long time. Now I'm like Joe Speedster.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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It's one of the few regrets of my presidency - that the rancor and suspicion between the parties has gotten worse instead of better. There's no doubt a president with the gifts of Lincoln or Roosevelt might have better bridged the divide, and I guarantee I'll keep trying to be better so long as I hold this office.
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Life is one long jubilee.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Being a woman in country is really empowering. It's a genre where you can truly say whatever you want to say as long as you're 100% behind your message and who you are.
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Song writing has been a lifeline for me.
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I met this woman who was a hundred, this housekeeper, a hundred years old. I interviewed her. She just told me about her whole life. She's like, 'I can't read, I can't write; I can tell you who I was working for, and I can tell you the year, but who was president?'
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The publicity of the Nobel Prize has made clear that the research work connected with the Quantum Hall Effect was so successful because a tremendous large number of institutions and individuals supported this activity.
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How the American right managed to convince itself that the programs to alleviate poverty are responsible for the consequences of poverty will someday be studied as a notorious mass illusion.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
