Sam Shepard Quotes
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
Quotes to Explore
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The thing about doing anything artificial to your hair is that you have to look after it. So you're always vulnerable to the weather and time.
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We're all concerned about sports rights being so expensive. Obviously, we are funded by the licence fee payers, so it's not always easy to compete with those who can get greater revenue.
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Time spent on any item of the agenda will be in inverse proportion to the sum involved.
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So people think I'm lying about my age all the time? It's the records that are wrong. I've never told anyone how old I am. The minute they ask me, I say 'That's none of your business.' So that means I've never once lied about my age. Now that's true!
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My parents never pushed me to ski race. It was my choice and something I really wanted to do. I would have rebelled if they had pushed me, and I wouldn't have had the same passion.
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I firmly believe that one of the best kept secrets to soft and glowing skin is moisturisation.
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Before I was 5, I did have a lot of time on my hands. I had no job and really no career, and I spent an awful lot of time listening to records. It was more the classical ones, really - Prokofiev, and I think there was some Mozart in there, and more impressionistic composers like Delius.
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Put simply, the doctrine of 'Fair Use' applies to content republished from copyrightable material and how much of that content is, literally, fair to use.
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In truth, opinion may be taken for understanding; understanding cannot be taken for opinion. How so? Surely because opinion may be deceived; understanding cannot be. If it could, it would not be understanding but opinion. For true understanding has not only certain truth, but the knowledge of truth.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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Perhaps I'm particularly serious, because I'm not unaware of the potential absurdity of what I'm doing.
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My mother is an ordained minister. I'm a Muslim. She didn't do back flips when I called her to tell her I converted 17 years ago. But I tell you now, you put things to the side, and I'm able to see her, and she's able to see me. We love each other. The love has grown.
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When I started out, the idea of comfort in shoes was almost a dirty word.
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You can imagine me as a kid growing up in redneck Texas with ballet shoes, tucking the violin under my arm. I had to fight my way up.
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If I'm offered a good case in Florida or a good case somewhere else, South Florida will win every time.
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I didn't beat her. I just pushed her out of bed.
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So far, the biggest regret I have in regards to the world of 'Red Queen' is that I didn't get to world-build enough. I don't think I did enough work explaining how the world came to be, and while I'm planning to go more into it, I'm a greedy writer, and I'm always going to wish I had more room to delve into the complexities of a fantasy realm.
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I try to write about a woman finding her self-respect, valuing herself, and liking herself again. But what one desperately wants now is to write a proper novel.
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My friends always laugh because I'm the kind of person who bought the Brooks Brothers school skirt, even though it's not my school's uniform skirt, but just because I liked it. I'm a knee-high socks kind of person.
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On his process for writing novels: I can't imagine what the first sentence is, I can't imagine where I want the reader to enter the story, if I don't know where the reader is going to leave the story. So once I know what the last thing the reader hears is, I can work my way backward, like following a roadmap in reverse.
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One strange quality of writing about political campaigns is that it's a little like writing about a baseball game inning by inning. We presume we can say something about the final result from the state of play a third of the way through. You can when a game is a colossal blowout, but you can't when it's close.
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You can find just about everything on my iPod from Eminem to Zac Brown to Justin Timberlake to One Direction. Everything is on there.
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I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
