Sam Shepard Quotes
My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
Quotes to Explore
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Not everybody fantasizes about robbing a bank, but I think most people have that fantasy of being in a high speed chase.
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We've learned a lot about how information needs to flow effectively amongst a group of people. They need to be fed information, and it needs to be on this constant conveyor belt.
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In the age of the internet when everybody's a pundit, we're still gonna need somebody there to go talk to the colonels, to be on the ground in Baghdad and stuff and that's very expensive.
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I always start the day by washing my face and moisturizing.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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If you stop being scared, that's when entropy sets in, and you may as well go home.
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If Joy Behar or Sherri Shepherd was a dude, they'd be off TV. They're not funny enough for dudes. What if Roseanne Barr was a dude? Think we'd know who she was?
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Businesses fail when they over-invest in what is at the expense of what could be.
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Adding 'just kidding' doesn't make it okay to insult the Principal.
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Whenever I'm caught between two evils, I take the one I've never tried.
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The discovery of deuterium and the marked differences in the physical and chemical properties of hydrogen and deuterium, together with an efficient method for the separation of these isotopes, have opened an interesting field of research in several of the major branches of science.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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History's a resource.
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I am a just man.
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I myself consider myself the most powerful figure in the world.
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Everyone should play their role in tearing down the wall of hatred.
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I did a few DJ gigs at empty clubs, sort of as a warm-up set before Flume was a thing. I did one when I got big enough, and I had five friends come down, and they were the only ones dancing. That was one of my earliest ones. I was super nervous.
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Someone once said that you can make the choice between getting old and getting creepy, and I think getting old is the way to go.
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My candle burns at both ends; it will not last the night; but ah, my foes, and oh, my friends - it gives a lovely light!
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I have to be able to be the artist that I am.
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The background - your own history - is way more important than what you can achieve as a professional.
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My perfect day is to wake up with all kinds of energy and enthusiasm for the day, have a list of what I want to achieve, and at the end of the day look in the mirror and think man, this has been perfect. Everything I planned became a reality.
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I just wanted to make sure that God's hand was upon it, especially for a band that always stood for God's message; that was important.
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My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
