Vincent D'Onofrio Quotes
Quotes to Explore
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I think why I was attracted to making something with Vice is that level of intimacy that you get as the viewer, getting to see some of that production element where we don't exactly know what we're doing, where we're going, or even if it's a good idea.
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My wife asked me if I ever thought I would ever retire from stand-up. And I thought about it, and I was like, 'No, because it's my job; it's what I do, and I enjoy it.' It's still the most challenging thing for me to do.
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Justice is revenge.
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Prison makes an interesting context for so many different characters to come together. You get to see what lines get drawn between people.
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What can I know? What ought I to do? What can I hope?
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Entrepreneurship is the very back bone of our country and what makes us great - we are a nation of founders.
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I support many organizations that I feel are doing the right thing, like Alonzo Mourning's foundation, Alicia Keys' foundation, the Make-a-Wish Foundation, and other well-established foundations. I kick out a lot of time and money wherever I can.
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I remain fascinated by where you go as a woman once you are a mother, and if you ever come back.
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The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
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My husband passed away a long time ago, and of course a lot of people have courted me. I've been taken to dinner and also to things like Larry Hagman, in particular years ago. And more recently, of course, little Hugh Jackman - and he's too young for me though, frankly.
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I don't believe in miracles.
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I'm the Chris Martin of hip-hop.
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I've always had great faith in the Man Upstairs.
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Rioting is a childish way of trying to be a man, but it takes time to rise out of the hell of hatred and frustration and accept that to be a man you don't have to riot.
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There is not love where there is no will.
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I imagine that my characters have become much more complicated than when I first began, which would be normal.
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There are times that you have a plot in your head, but then you find that the characters don't want to do that. When you're looking at the story from the outside, you can create whatever twists and turns you want. But when you're writing, you're inside the characters' heads, and you see that they may be motivated to do something different.
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Once I turned 13, I was the guy magnet.
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I've been in this business for a long time, and I no longer think that anything that I do by way of clarification is ever going to eradicate the mistakes.
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The ideal would be to have a career like Meryl Streep's or Kate Winslet's. It's just unbelievable how they manage to make such incredible choices one after the other. If you could have a career anything like that, then that would be a great thing.
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I went to L'Academie de Cuisine in Gaithersburg, Maryland, and I think French cooking is the basis for a lot of classical cuisine, a foundation of a lot of other cuisines. That said, it's not the only way to approach a cooking career.
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We actors always say how difficult and physically demanding a role was. But give me a break, it's only a movie.
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I was a 'Laurel and Hardy' nut. I got to know Laurel at the end of his life, and it was a great thrill for me. He left me his bow tie and derby and told me that if they ever made a movie about him, he'd want me to play him.
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So a failed movie is not going to ruin my career.
