Eric Maisel Quotes
An artist must struggle to accept the shape of this universe - and achieve some important successes.
Quotes to Explore
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I don't know how to read. I get all my news from Jon Stewart every day.
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You'd believe that a patient with hypertension, if you know you have hypertension or diabetes, you would take your drug every day. The compliance rate is more like 30% or 40%. Which means that 60% of patients don't take their drugs, and they actually go into these crises, end up in the hospital.
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You can get awful famous in this country in seven days.
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Whenever I do something, it seems so right. And turns out so wrong.
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One must change one's tactics every ten years if one wishes to maintain one's superiority.
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I'd prefer to be good, but I'm not always. I struggle.
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I didn't have a sense of being in a show business family or of being different, partly because Los Angeles is an industry town, so you don't think about it as being special.
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When people laugh at Mickey Mouse, it's because he's so human; and that is the secret of his popularity.
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When I was auditioning for 'True Grit,' I was on the Paramount lot. I was wearing clothes from the 1800s that were big and uncomfortable.
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I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.
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My mom has every issue of 'Billboard' I've ever been in.
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An awful lot of Republicans, both in Washington and outside Washington, are resigned to leaving Obamacare in effect.
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Vanity was a joke. She was an image created to make money.
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I've got this theory that human beings are innately religious; we have a belief system. It doesn't have to be a theist form, necessarily. But we need a belief system, some framework on which to hang our behavior.
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I shaved my head about 15 years ago and the first time I shaved it, I started running my hand through my hair and it was very therapeutic.
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I mean, I would say I get five or six e-mails every day from people asking, "Is there going to be a Leprechaun 6?' It's probably the most asked question besides, 'Is there going to be a Willow II?'
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It's just, for me, the natural standard: a woman should be able to decide over her own body.
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At MGM, you knew you were going to be working next year; you knew you were going to get paid. But I was too ambitious musically to settle for it. And I wanted to gamble with whatever talent I might have had.
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I think my biggest problem was, as a celebrity on a TV show, you get an inflated ego and you think you're the center of the universe.
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I've always said that the experience of meeting an artist that you are in awe of and that you hope to create with one day is usually disappointing because you put them up on a pedestal, and then you're like, 'Wow, that's not a nice person.'
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Learning how to shine a pair of shoes to me was like if you could do, you were like you were on your way to having abilities and skills as to be able to spit-shine a pair of shoes like they're patent leather. You're a bad dude. To spit-shine a pair of shoes. So, even to that small detail, that aided me and assisted me in becoming the artist that I am. My uncles' sense of style, their type of ties they used. The way they wore their suits, big and huge and baggy. The way they did their haircuts with the side burns. All of that.
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An artist must struggle to accept the shape of this universe - and achieve some important successes.
