Brice Marden Quotes
I've always worn a hat when I work. I think it also comes from a picture of Rothko I saw with a painter's hat on.
Quotes to Explore
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I always do my interviews face to face.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.
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There are no limits to our future if we don't put limits on our people.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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A film of my life would never happen!
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The probability that we may fail in the struggle ought not to deter us from the support of a cause we believe to be just.
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I want to take a more international direction with my career.
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I know most players do, but I always keep both eyes opened. I still do it. I see two shafts, the real one and the transparent one. I look for what's on the inside edge of the transparent one.
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There are no straight lines or sharp corners in nature. Therefore, buildings must have no straight lines or sharp corners.
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My career started young and I was really ambitious, and then I had success and I hung out with people who were much older. I think I might have been temporally misplaced, so I thought I was 40. It was a premature midlife crisis.
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Industry looks at research and development for energy efficiency, lowering material costs, so on and so forth.
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There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
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I didn't feel like going any further in this scene with the boy. He was not a professional actor, and if I had pushed the scene any further it would have destroyed the tone of the movie.
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It really hasn't been demonstrated at any level by any major corporation that it can nurture what is euphemistically called creativity.
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We're moved by emotions and characters and stories. We love that.
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My brother dying changed me. I didn't realize how strong I was until I lost my brother.
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I love working with athletes. They're all very demanding.
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I don't know that it exists, the perfect family. It's always complicated.
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I look a lot like my father and his mother.
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Until 45 I can play a woman in love. After 55 I can play grandmothers. But between those ten years, it is difficult for an actress.
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At the core, I try to write characters who are real people with real insecurities, fears, hopes, and dreams, which is why hopefully readers can identify with them.
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I've always worn a hat when I work. I think it also comes from a picture of Rothko I saw with a painter's hat on.
