Ernest Gold Quotes
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
Ernest Gold
Quotes to Explore
I'm not a publicity hound, I hope.
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G. Willow Wilson
I'm never going to do something that I don't want to do, because I've been given the opportunity to not have to do that.
Maisie Williams
I want to be remembered as the football player I was. The private person is nobody's business.
Zlatan Ibrahimovic
I'm always honored, but I think for every 100 of those that come along, one of them is actually going to happen. And, the fact that this was an offer on a major film that had a start date, was pretty impressive.
Adam Arkin
There's no alternative to Catalan independence.
Carles Puigdemont
Orators are most vehement when their cause is weak.
Marcus Tullius Cicero
There's so many gatekeepers to getting in front of showrunners or executives. If we pull those middlemen out, and we get women in rooms with the executives, the people hiring, it seems to break down barriers. Because they can no longer say, 'There just aren't any women to hire,' when you're surrounded by fifty of them.
Allison Schroeder
I lived in Nashville for about five years. It was almost like me going to college for my craft. I immersed myself in the songwriting community there. They embraced me, and I made some real friends but also learned so much.
Jamie Lynn Spears
I believe that never was a country better adapted to produce a great race of women than this Canada of ours, nor a race of women better adapted to make a great country.
Emily Murphy
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
Ernest Gold