Brom (Gerald Brom) Quotes
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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Yeah, you know, I'm always into cassette. At least they seem to be the longest-lasting medium we used to have. I don't play cassettes much anymore, but I play records all the time.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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If I play, I try to concentrate on producing my best.
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My whole career has been fulfilling my childhood fantasies, playing characters that are larger than life, getting to play a knight, an elf, a prince, and a soldier.
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Unless it's a flat-out farce, an actor can't play comedy on film.
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I love that I can play around with all types of music.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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It's harder to play drums than guitar, physically. I'm always kind of on the edge. I guess that's how I play everything: on the edge of my ability.
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Our brand of democracy is hard. But I can promise that a year from now, when I no longer hold this office, I'll be right there with you as a citizen - inspired by those voices of fairness and vision, of grit and good humor and kindness that have helped America travel so far.
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This is one of the factors that also made me very much want to make this film, apart from the fact that I loved it. If the boy hadn't been Jewish and the man hadn't been Muslim, it wouldn't have made any difference to the film. I don't think it's relevant, really.
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Modesty is good. But not when it comes at the cost of honesty.
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I'm happy doing what I'm doing, and if you have that kind of attitude then everything else from there on is a bonus.
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My name's Peter. Can I play too?
