Laura Mvula Quotes
Quotes to Explore
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The nations of Africa, as is true of every continent of the world, from time to time dispute among themselves. These quarrels must be confined to this continent and quarantined from the contamination of non-African interference.
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I do get approached occasionally, but not a ton. I'm unrecognizable because I'm coated in cat hair and sweat. And there's a sort of yeti quality to my presence... so I don't think that people can see the face.
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I am always locked in my design studio.
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Acting is an escape from the boring person that I am in real life.
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I am writing a book called 'The History of Australia in Hundred Objects.' It's of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes - those big long cranes used on construction sites.
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I recently read an article on how I was dropped from a film because I couldn't dance! It was so ridiculous that I decided to shut up about it. Let people say what they want to. It's such a waste of time.
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Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
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The most successful Subway customers, of course, are the ones who can't keep their hands off their sandwich. Join your artist in the sandwich assembling process. That sneeze guard is a suggestion. That sneeze guard is trying to intimidate you into staying on the customer's side of the partition.
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I am insecure. If you ask me, everybody is.
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I just feel I've got thousands and thousands of young fans that have to learn about what's real when it comes to AIDS.
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We legitimately walked into 'Anthem' head-on, not paying enough attention to internal band tension.
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Faith is personal if it's to be real.
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If you believe these polls, you're making a mistake.
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If I did a talk show, this would allow me to speak on what's happening at that moment. I can be current, and I get to flex my stand-up muscle but stay at home without doing the traveling.
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It's very rare, as an actor, to be someplace - to have an address, so to speak.
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I learned that kids in show business are so different from regular, average students. They would gather behind you and help you to succeed in any way possible.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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Having a credible existence in the private sector frees people to be able to be better public servants. You're less concerned with... toeing the party line and more concerned with doing what is right.
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I think that androgyny is so amazing. Men's shows I can look at and say, 'I would wear that.' But there's things I see at Nina Ricci, and I'm like, 'They need to make that in men's,' or 'I want those pants.' Everything is inspiring.
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To survive in a lot of male-dominated situations - the police, the military, what have you - you put on a bit of the crass, blowhard thing, because you just can't survive being the nice guy in those environments.
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Being on Broadway and getting a Tony nomination - this has been an incredible ride, from rather humble beginnings.
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I always wanted to be a feature filmmaker and tried to treat that experience as some sort of elite film school where I could learn the craft, and got paid to learn the craft.
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It feels very cool to be part of a girl gang.
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London audiences have this reputation for being a bit too cool for school.
