Eugene J. Martin Quotes
Rather than studying the laws of cause and effect, people spend their lives being the effect and running from the cause.
Quotes to Explore
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For every benefit you receive a tax is levied.
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I'm so tired of stories starting, 'Maud Jones was walking her dog down Broadway.' You've got to go over to the back page somewhere to finally find out the damn dog was run over by a truck. Get the thing told, for heaven's sake. Everybody doesn't have to be an O. Henry.
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Fashion is a language, for sure, and it is a reflection of society.
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I'm a great supporter of women who take risks and don't make victimhood into an art. It's not good for women, and it's not good for men. Too many men put all their emotional eggs in one basket - a woman's basket.
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But I used to have a bit of a gambling problem. And that would have been the answer to my prayers. It got worse when I started playing this character, too.
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I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.
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I've discovered that I value simplicity above all in dressing. I don't like anything I wear to be too complicated or fussy.
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To be honest, I enjoy all different types of films and experiences.
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Marxism conceives of the new system of socialism as the necessary outcome of all previous history made possible and necessary only by that previous history.
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My mother left me for seven years in an orphanage.
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I feel people care so much about their appearance - which is important, and I do still care about my appearance, but not that much. There's far more to life than that.
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Forgiveness is the key to action and freedom.
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I'm not that interested in people.
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Original thought, original artistic expression is by its very nature questioning, irreverent, iconoclastic.
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I chose the Egyptian dream: the dream to make a TV show, and then be called an infidel by the end.
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I had a holiday job in a kitchen, but I think we'll draw a polite veil over that. There was nothing joyous or creative about it. And none of this helped my studies.
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So many things have to come together to get a creatively successful and financially successful film. Sometimes you'll have a movie that you're very proud of, and you think it transcended all of your expectations, but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.
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For the modern physicist, reality is the whole thing, past and future joined in a single history. The sensation of now is just that, a sensation, and different for everyone. Instead of one master clock, we have clocks in multitudes.
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I wouldn't mind meeting some of the people I've attempted to portray from the olden, olden days. They probably would all have really terrible skin and horrible bad breath, and I'd have to give them an Altoid.
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In principle, I think the idea of rewarding a good effort is interesting, but movies are generally different from each other as are performances and the conditions on how the performances are given and how they're edited and so forth.
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I try to avoid conflict. I don't want people to be unhappy.
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Rather than studying the laws of cause and effect, people spend their lives being the effect and running from the cause.
