Karl Friedrich Schinkel Quotes
Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.
Quotes to Explore
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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You don't have to spend much time in Shanghai before you start to get all existential about the meaning of authenticity. Did you know that Shanghai is building nine satellite towns, each designed to mimic the architecture and culture of a different country?
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I'm really obsessed with the past.
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Although Alchemy has now fallen into contempt, and is even considered a thing of the past, the physicain should not be influenced by such judgements.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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I don't want to be involved with an actor because I know how they are. I've had problems in the past being with guys who haven't had any success or haven't made as much money, and it's very uncomfortable.
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The past is what you remember, imagine you remember, convince yourself you remember, or pretend you remember.
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Something even minor I do is going to be reported because of things that have happened in the past. You have to be aware of that.
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I have made good judgments in the past. I have made good judgments in the future.
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Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
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The West has demonstrated its ability in the past to project power and move troops to distant regions.
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I don't compare shows. It's very simple. I don't live in the past. If there's any secret to my longevity, it's living in the future. And a little bit in the present.
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In addition to a soaring stock market, 6.6 million jobs have been created since tax relief measures went into effect in 2003. Our deficit situation has also improved as tax revenues have increased at double-digit rates over the past two years.
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As a founder of two organizations that recruit top college graduates to expand educational opportunity, I've spent a lot of time examining what's at work in successful classrooms and schools over the past two decades.
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I haven't collected memorabilia. I am not a person who lives in the past.
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In my opinion, most of the great men of the past were only there for the beer - the wealth, prestige and grandeur that went with the power.
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There are always two parties, the party of the Past and the party of the Future: the Establishment and the Movement. At times the resistance is reanimated, the schism runs under the world and appears in Literature, Philosophy, Church, State and social customs.
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I actually don't read comic books. I did when I was a kid - I used to read a lot of 'X-Men' comic books. I read a couple 'Scott Pilgrim' this past year, and those are really good, but I don't read in general, unfortunately.
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All great music is contemporary. If it's still alive and kicking, then it's contemporary. If it fades away, it was a period piece. It had its moment, and that was it.
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I'm a very nurturing kind of person and a sort of a homemaker. I'm just interested in things remaining fresh.
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The thing is, if I don't have sobriety, I don't have anything.
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My absolutely favorite time of working on a project is the time I spend not knowing what it is. Because the longer you live inside that period, the likelier you are to discover something new.
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Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.
