Karl Friedrich Schinkel Quotes
Schinkel's aesthetic was not a crudely materialistic "truth to material" affair... but rather an attempt to inform iron and other industrial materials with an appropriate beauty through the direct collaboration of the artist in the manufacturing process.
Quotes to Explore
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I'm probably not going to develop to a final state as an artist. Like, become better and better, more and more refined. Become 'pure.' I don't think that's going to happen to me, because I don't really see that as something I want to explore.
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I was very lucky when I started doing comedy because I hadn't seen much stand-up. I just got up on stage and did it without thinking.
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I was promised on a time - to have reason for my rhyme; From that time unto this season, I received nor rhyme nor reason.
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A woman going out with a younger man feels like the last taboo.
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If you play good cricket, a lot of bad things get hidden.
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You know, I've sold a lot of bad movies in my time.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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When I recorded my solo album, 'Keep It Hid,' in 2008, I'd gotten more interested in songwriting, inspired by reading Charles Bukowski and connecting with unfancy, interesting language.
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I think whenever you see what may be the seeds of a third party, you need to be very skeptical because there's not a very good track record for third parties.
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If you are being weird or silly you can be excused because you are just playing a character.
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Working on 'Girls' opened up a lot of opportunity for me. It's like a dream job. It's a dream.
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The comic edge of 'Ghostbusters' will always be the same. It's still treating the supernatural with a totally mundane sensibility.
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I'm quite a slow reader. It can take me quite a while to get though a book.
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A great byproduct of a TV show, movie, or play is when it can act as a catalyst for someone.
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I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
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We live in an age of instant knowledge. And there's almost a sense of entitlement to that.
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What I've learned is sometimes it's good not to have all the same actions and have all the same takes. The variety you provide gives the director later on in post-production the ability to construct a more interesting performance as he puts the movie together.
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Well, I don't really concern myself too much with what other people make of my work.
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When the sunlight strikes raindrops in the air, they act like a prism and form a rainbow. The rainbow is a division of white light into many beautiful colors. These take the shape of a long round arch, with it’s path high above, and it’s two ends apparently beyond the horizon. There is, according to legend, a boiling pot of a gold at one end. People look, but no one ever finds it. When a man looks for something beyond his reach, his friends say he is looking for the pot of gold at the end of the rainbow.
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Your success isn’t about you and your performance. It’s about us and how we perceive your performance.
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The kind of artist I would like to be is definitely versatile. I don't like being boxed in or put into a genre, so to speak.
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What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
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Collaboration is the way to go. It's very timely and fun to do.
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Schinkel's aesthetic was not a crudely materialistic "truth to material" affair... but rather an attempt to inform iron and other industrial materials with an appropriate beauty through the direct collaboration of the artist in the manufacturing process.
