Patrick Marber Quotes
Quotes to Explore
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I'm at a point where there isn't any wasted movement in the throwing motion. Everything is consistent and smooth. When I first got into the league, I held the ball really high. That was the standard in college, and it messed up my timing a little bit - the draw, bringing it back, then the release.
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A lot of what is publicized now is really pretty trivial stuff - you know, what I eat for breakfast, where I have my pedicures, questions that I just cannot for the life of me understand why someone would want to know that.
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Human attention is limited, and a massive number of newly browsable books from the long tail necessarily compete with the biggest best-sellers, just as cable siphons audience from the major networks, and just as the Web pulls viewers from TV.
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When I'm in the car, I want the only one shouting to be me.
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A church is a place in which gentlemen who have never been to heaven brag about it to persons who will never get there.
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I live with my family. I moved to L.A. eight years ago, and it's the same room. But I'm looking now. I might get a condo.
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I think if you are young and you have children, you still have so much to prove. When you have children later in life, you lose a bit of that urge for working.
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It was wrongly assumed that I wished to become some sort of leader among gay activists, whereas in reality I was happier to be a foot soldier.
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I found a mistake in a rule. They addressed the wrong rule number... I pointed it out, did an amendment, and everybody was happy after that.
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We should allow people to purchase health insurance across state lines. That will create a true 50-state national marketplace which will drive down the cost of low-cost, catastrophic health insurance.
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The Church has never changed its teaching on the sanctity of human life - it didn't make up a rule for the convenience of a particular time like a rule at a country club as the Governor would have us believe.
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A lot of people who want to cook with less fat are surprised by that. You can cook vegetables in a little water in a covered pan and then throw the fat into the residual liquid to coat them.
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I'm a character actor, and I made a choice when I was young, after 'Mystic Pizza', not to go for the mainstream stuff, and to do a more eclectic kind of route.
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Sometimes they keep us in the dark, but it's TV, so sometimes they keep us in the dark because even they don't know yet. You know what I mean? So, it sort of develops as it goes along and according to various needs that arise.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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I have my faults, but changing my tune is not one of them.
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Every city is always changing, on its own trajectory.
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It has an air about it of having strolled in from the street with a few tricks up its sleeve, and if everybody would relax, please, it would do its best to pass the time whimsically.
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I like to create a simple space and surround myself with things that I like to look at.
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The sci-fi movies I grew up with, the metaphor was very rich, and they used to really mean something: David Cronenberg's films, or John Carpenter's films, or the Phil Kaufman and Don Segel versions of 'Invasion Of The Body Snatchers,' or George Romero's early zombie films.
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I take great pride in recalling that I could open in a play on Broadway or in London's West End and fill a theatre on the strength of my name - Steed's name.
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If we understood the enigmas of life there would be no need for art.
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As a result of listening to Aberhart, my father decided to leave the farm in 1927 to study at Calgary Prophetic Bible Institute, Aberhart's training school.
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Theatre is how I first encountered art on any level.
