Evonne Goolagong Cawley Quotes
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I was taught to play that way when I was in high school and even before I got to high school.
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It is when we all play safe that we create a world of utmost insecurity.
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The best players will play. That's the way it will always be.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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In 'Rangoon', I play an action star of the 1940s.
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The debt we owe to the play of imagination is incalculable.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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I wanted to play rocking country music, and when I started out in the late Seventies, it took me a couple of albums to figure out how to do that.
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I am lucky that the Western world chooses me to play roles in their movies an television, whatever language it may be.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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I'm still enjoying discovering more designers and getting to play dress-up in a bigger way than I ever have before.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.
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That's the funny thing about stealing money - it always seems to be the rich people who have the most of it.
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Imagine if your palm PC could scan a credit card and could simultaneously take your picture and imprint it on the card for verification at the checkout counter.
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Homer must have felt this pressure to come up with an epic poem that would sound totally new to an audience that had loved his previous best-seller.
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When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
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I play better if the matches are tight.
