Lee Ranaldo Quotes
Sometimes, for me, lyrics are derived from poems that I'm working on, and they kind of cross back and forth between the two.
Quotes to Explore
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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I'm a total loner. I can't even answer texts or take my phone with me when I'm working!
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Probably Romania and China and Russia. I think they're all working really hard to beat us right now.
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I've always been a fan of sci-fi, fantasy, and horror. I like working with larger-than-life characters in fascinating worlds - places where the rules are different.
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I love working in America, I love being part of the industry out here.
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I'm a big believer in living life as an extended working vacation.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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I was always active, always running and working out. I was a wrestler and ran track and, out of interest, started boxing. It's always been a part of me.
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Whatever it is that I am working on is what I become obsessed with.
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The slums are not a place of despair. Its inhabitants are all working towards a better life.
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I thinks it really interesting how they throw the world music samples in there. I often wonder what it would be like to do something like that, but use my lyrics and my kind of style.
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I stand behind all the lyrics I've ever written; I don't have a problem with that.
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What could be better than working with people you love?
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Really, as long as I am working and have diversity, I am happy.
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I got started in 1995, working in a group called The Cash Money Click.
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'Polytechnique' changed everything in my way of working. I became an adult, really, during those five years. I didn't work on anything else but 'Polytechnique.'
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Old age adds to the respect due to virtue, but it takes nothing from the contempt inspired by vice; it whitens only the hair.
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Some drivers might be twisting their nose or don't like the idea. The way I see it, it's good for everybody.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I like being a cult figure.
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If you really want to see change, and have change, you're going to have to get involved.
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Sometimes, for me, lyrics are derived from poems that I'm working on, and they kind of cross back and forth between the two.
