Zac Efron Quotes
Quotes to Explore
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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I'm glad I went through all the normal teenage dramas that a lot of people go through. I can really relate to 'Secret Life' because I witnessed those similar struggles.
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We're not ever interested in repeating ourselves or doing what people expect us to do, it's such a turn off.
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My desire to be an artist really came out of being broke and unemployed and incapable of holding a job down. That's what it was driven by for sure.
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I do not have the angst and the anxiety of my youth. I've gotten to a place where I'm very comfortable with who I am.
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When I sit down with my notebook, when I start scribbling words across the page, I find out what I'm feeling.
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I don't agree with all-male leaderships. Men cannot be left to run things on their own. I think it's a thoroughly bad thing to have a men-only leadership.
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Women should wear clothing. Clothing shouldn't wear them.
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I maintain music is not here to make us forget about life. It's also here to teach us about life: the fact that everything starts and ends, the fact that every sound is in danger of disappearing, the fact that everything is connected - the fact that we live and we die.
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I know that I've played a lot of comedic roles. It's a visual medium. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully.
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When I introduce you to somebody, his name is Big Pun. When I introduce you to somebody, his name is DJ Khaled. When I introduce you to an artist, her name is Remy Ma. If I introduce you to somebody, it's Cool and Dre or Scott Storch - people who change the face of the game.
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Where do the evils like corruption arise from? It comes from the never-ending greed. The fight for corruption-free ethical society will have to be fought against this greed and replace it with 'what can I give' spirit.
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The Spirit of the Holy Ghost is the teacher in the temple. He teaches principles of eternal significance. It is during these instructions that we see the relationship between the earthly and the eternal. We must remember that the Spirit teaches only those who are teachable.
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I don't want my children to have any kind of ego or entitlement because of what I do. I want them to be good people, and we fight every day so that they'll be that way.
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My memories from my childhood are centered on my father's medical conditions alongside my constant desire to understand the principles of the nature around me.
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Increasing inequality in income distribution in this country has broader policy implications, and there is also the growing problem of perverse incentives that result from executives receiving grossly disproportionate compensation based on decisions they themselves take.
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I think the physical comedy in action sequences is fantastic. Like, '21 Jump Street' did a great job with that.
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I will say I am the sum of my books.
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The thing is, it really did take us too long to get these recordings done. We've had our rough times in the studio in the past, but after four weeks most of the material would have been recorded. This time it seemed like it just goes on and on.
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We deem those happy who from the experience of life have learnt to bear its ills without being overcome by them.
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Our attitudes control our lives. Attitudes are a secret power working twenty-four hours a day, for good or bad. It is of paramount importance that we know how to harness and control this great force.
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I hate to say there are female and male ways of dealing with power, because I think each of us has a male and a female part. But based on my own experience, women will tend to be inclusive, to reach out more, to care a little more.
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It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.
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Every day is a new experience and I take it as it comes.
