Taylor Swift Quotes
Quotes to Explore
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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I want to direct what I feel is interesting - not what is supposed to be my zone.
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Art is about play and about transcendent meanings, not reducible to politics.
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I just write what I think is funny. I don't care who watches it.
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All of the philosophers I studied were white (with a few Eastern exceptions), and, for that matter, they were all male. Africa, the cradle of civilization, seemed to have no footing in the highest form of human thought.
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I was an expert horseman.
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I always focused on being an actor. I did stand-up briefly, but I also did a lot of dramatic work. But since I've been on 'The Daily Show,' people think I'm a comedian. That's not how I see myself.
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People are tired of simple things. They want to be challenged.
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You have to believe that people don't want what you think they're going to like, you know? They want what you like. Once you start doing that, you actually start connecting with people.
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I'm always afraid of failing. I have to quiet that fear if I'm going to get up in the morning.
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If someone had protected the HTML language for making Web pages, then we wouldn't have the World Wide Web.
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Your life, your circumstances change, and you have to continue to grow as a person, and once you have means and opportunity, you have to make different choices to protect what you have.
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I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
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I was a dancer first, which made me realize how much I loved performing.
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I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
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I think 'Rockstar' is more dear to me than any of my other films.
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We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait in all its homogeneity, to one with a detail added which refuses to fit in.
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No history can be a faithful mirror. If it were, it would be as long and as dull as life itself. It must be a selection, and, being a selection, must inevitably be biased.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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When I started 'CNN,' I made the decision to stay out of endorsing candidates, and let the doers make up their own minds about politics, that it wasn't going to come from me.
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I want my friend to miss me as long as I miss him.
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There was not a single Negro slave owner who did not know dozens of Negroes just as capable of learning and efficiency as the mass of poor white people around and about, and some quite as capable as the average slaveholder. They had continually, in the course of the history of slavery, recognized such men.
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I came from a privileged background, which I am entirely grateful for, but it played a part in my feeling that I couldn't complain about my own emotions.
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All you need to do to be my friend is like me.
