Dave McKean Quotes
I'm interested in the parallel narrative of our fantasy lives. How the moment of 'now' that is palpably real, is surrounded by our memories, our dreams and hopes, the stories and connections that our brains make as we navigate a universe of fantasy, or unreality, or surreality. I'm keen to explore this very human experience, how our minds create our own realities, a blend of fact and interpretation of fact.
Quotes to Explore
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We're seeing quite a lot of people who really would like a return to class-based politics.
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The incestuous relationship between government and big business thrives in the dark.
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There's no conversation more boring than talking about what it's really like to live in Newport and how the show compares to the real thing. I just don't care.
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We don't go against the will of the people.
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Sitting at the table doesn't make you a diner. You must be eating some of what's on that plate. Being here in America doesn't make you an American. Being born here in America doesn't make you an American.
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Heartache is very fertile ground for song-making but so is happiness, so is absolute bliss.
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The more I see of men the more I like dogs.
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I was so naive in radio technique that I knew nothing about timing. I would write pages on Honus Wagner and then get only half through by the time the show ended. I eventually learned, but there was nobody there to school me.
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Annie Lee Moss was a black woman who worked for the Army as a code clerk in the Pentagon. She was identified by an undercover agent of the FBI as a member of the Communist Party. Moss denied it, the Democrats sprang to her defense, and she has been treated ever since as an innocent victim of McCarthy.
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I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.
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I think there's something really thrilling to having to get people laughing about something, and then, when you have them in that comfort space, you can drop the weight into the texture of the story.
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The beautiful seems rightBy force of Beauty, and the feeble wrongBecause of weakness.
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Truth is the light So you never give up the fight.
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These kids today, everything is about hitting a vocal home run.
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I moved to New York City in '92 and had no money. I had a lot of free time, as actors do. I would go to the New York Public Library at Lincoln Center.
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You know, technology CEOs like to think of themselves as rock 'n roll stars.
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Emotional power is maybe the most valuable thing that an actor can have.
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In Cleveland, music was always a big part of my life. That's really where I cut my teeth.
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Scene by scene, you can't help being impressed by 'Mean Girls;' it's like a group of sketches linked by a theme, with some playing much better than others.
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We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
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Blackness is an ocean, a universe, a possibility that can never be exhausted. And so we have to constantly reaffirm the necessity of excavation, of archiving and curating, but also exploring, and understanding afresh and learning for the first time what it is that we need to know, and what the limits and boundaries are, and what the themes and preoccupations should be, and what the redemptive character of that erudition is. I find myself in the exciting position of doing all that, and at the same time having the obligation to explain to white people what the deal is.
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The conventional definition of reality, and the idea of 'normal life', mean nothing.
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The central Christian belief is that Christ's death has somehow put us right with God and given us a fresh start. Theories as to how it did this are another matter. A good many different theories have been held as to how it works; what all Christians are agreed on is that it does work.
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I'm interested in the parallel narrative of our fantasy lives. How the moment of 'now' that is palpably real, is surrounded by our memories, our dreams and hopes, the stories and connections that our brains make as we navigate a universe of fantasy, or unreality, or surreality. I'm keen to explore this very human experience, how our minds create our own realities, a blend of fact and interpretation of fact.
