Taylor Hackford Quotes
Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.
Quotes to Explore
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When Bush first got elected, the very first time there was talk of going to war with Iraq, the mainstream media gave his position total credibility. I didn't get it then, and I don't get it now.
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This is a group playing together and that's the only way, I feel, this play can be successful and moving. I am so lucky to have the people that are in it. When I came here I didn't know who was going to be in the play.
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Politics is the art of the possible.
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But who knows, some years from now if there's a global emissions trading scheme agreement, as many have hoped for, then I'm sure Australia would be part of it.
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I think, aesthetically, car design is so interesting - the dashboards, the steering wheels, and the beauty of the mechanics. I don't know how any of it works, I don't want to know, but it's inspirational.
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I want to find a way to speak to the broadest audience possible.
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In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.
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I'm not going to lie; the most fun of writing these books is just saying, 'Where am I going to write about? Let me go there!'
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Twenty-six years ago, I became the first Democratic woman elected to the Senate in her own right. I was the first, but I made sure I wasn't the only.
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Fiction was invented the day Jonas arrived home and told his wife that he was three days late because he had been swallowed by a whale.
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There's very little bohemia in Australia and it's one of the things I miss most about not living in Europe.
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I don't have the kind of style that I feel like would serve any and everyone.
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If I can just be thought of as Omari Hardwick who had a really, really solid career, and whose work is appreciated in its own right, I think that would be a great legacy to leave behind.
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I don't know how to say no, and that's a weakness.
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I belonged to the 'Point Break' generation - I watched the original when I was 13 years old. It's basically the story of the rescue of the human spirit, and we continue to fight that same spiritual battle, but with a political expression.
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The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes.
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There's a lot of people who feel there's a tabloid journalist who had it coming.
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I grew up in the South and went to church a lot.
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The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
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They should hold themselves absolutely upon the immovable foundation of truth and nature, whereby alone they can save themselves from misapprehensions and from the danger of being entirely carried away from reality into mere dreams and fictions.
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I look at Jerusalem as being a beacon for the three monotheistic religions.
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My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes.
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Look deep into nature, and then you will understand everything better.
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Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.
