Takashi Murakami Quotes
We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.
Quotes to Explore
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I wasn't a visionary but I literally had my finger on the pulse of the women of America.
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If people don't want to come out to the ball park, nobody's gonna stop 'em.
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Most of my stuff, I never really watch.
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One of my favorite things about what I do for a living is that there is no certainty that, at any hour of any day, I could get a phone call that could change everything. Good or bad. I never know.
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If your work requires you to travel, you will understand that there's no vacation destination like home.
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If you're keeping yourself in the bubble and only looking at your own data or only watching the TV that fits your agenda then it gets boring.
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After all those years in Asia, I don't have to do promotion anymore. We just release a Jackie Chan movie and - Boom! - people go.
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I'm looking for people who are at the cutting edge of what they do, who think out-of-the-box. Even if their work is something common today, it might have been absolutely new when they started out, so we'd like to hear of their beginnings.
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When we talk about the minimum wage, we have to ask ourselves what it is that we owe both our workers and employers. I think clearly we owe them fairness.
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When the whole world reads your books, is there any other happiness for a writer? I am happy that my books are read in 57 languages. But I am focused on Istanbul not because of Istanbul but because of humanity. Everyone is the same in the end.
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Especially in comedies, I think a lot of time the female characters are there to provide a balance for guys.
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Small aim is a crime.
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What is your identity, and how do you know who you are if you don't have language?
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Comics seldom move me the way I would be moved by a novel or movie.
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I built the business exactly the way my mother built and ran her family. I wanted a replication of the big, happy family I grew up in. I wanted happy people having fun.
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I make big objects that are simple, bright and clear, kind of ironic but hopefully funny because I love the shapes, and I get inspiration from toys and books, and I believe in art for everyone.
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A high-quality public education can build much-needed skills and knowledge. It can help children reach their God-given potential. It can stabilize communities and democracies. It can strengthen economies. It can combat the kind of fear and despair that evolves into hatred.
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I want to work on things that aren't self-evident, to propose things that are radically different and game-changing.
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One culture I find fascinating to juxtapose against American culture is the culture of Germany. They've gone through a long process through their art, poetry, public discourse, their politics, of owning the fact of their complicity in what happened in World War II. It's still a topic of everyday conversation in Germany.
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Mr Blawke always reminded me of a heron; I'm not sure why. Something to do with a sense of rapacious stillness, perhaps, and also the aura of one who knows time is on his side.
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The apparel oft proclaims the man.
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A lot of times we base everything just on our immediate circumstance. We don't see a big picture for our lives. We don't love ourselves. We don't have a way of kind of gauging the future.
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The sign of a Philistine age is the cry of immorality against art.
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We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.
