Paddy Considine Quotes
I can't afford to step away from acting, but the one thing I've learnt after all these years is that I don't fit in. It's very difficult to be at the mercy of other people's whims and visions.
Quotes to Explore
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I like to prove people wrong.
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I think Nick Markakis is a perennial All-Star, and nobody knows about him. I think people are learning about how good he is.
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Johnny once described our relationship by saying we were as close as two people could be without being married.
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I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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Any faith of more than 1.6 billion people is going to have some of them who falsely justify actions on that faith.
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I always tell young actors to have a back-up. You don't want to find yourself at the age of 30 still struggling to make a living out of acting.
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Me, it was always about being able to bounce around to where I wanna be. Like, with 'Arular,' people always say it's so political, but I think 50 per cent of the album is not very political at all. It's just really a shouty, shouty girl thing.
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I'm shy, and I can hide behind my acting and discover the truth about myself because it's cathartic in that way. But I tend not to read reviews.
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Our dream as actors is to tell interesting stories about interesting people.
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When I'm in the U.K. – and I'm here more than people would think – I tend to keep a very low profile.
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I'm sure back in the Greek days or the Roman Empire days, when guys fought in arenas and were fighting lions, people were talking smack. Every era in history has someone talking smack. No way you can have talent and not proclaim your victory.
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The usefulness of a meeting rises with the square of the number of people present.
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Acting provides the fulfillment of never being fulfilled. You're never as good as you'd like to be. So there's always something to hope for.
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I motivate what I see in young people because we employ about forty thousand young people in our various Chick-fil-A units. Some of them come to work because they need to work; others just work because they just like to work. There's nothing wrong with that.
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Oh, mercy, I think we're all storytellers, you know. You think of the excuses you told your parents for why you got home late. I just never gave it up.
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I hate wasting people's time.
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I don't understand that, because I think that what people like most about the show is that they recognize themselves in the characters and their problems, so the more believable the family is, the more we can draw the audience in.
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Our music attracts the people that we rap about and make music about, and they come out and actually do it.
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Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
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I learned to love myself, because I sleep with myself every night and I wake up with myself every morning, and if I don't like myself, there's no reason to even live the life.
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Designers and musicians are primed to keep thinking forward. Once an album or collection launches, you can only think about doing the next one.
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There are only two reasons for buying a book, after all. Either we intend to read it, in which case most of us find a printed version preferable, or we don't intend to read it, in which case a printed version is absolutely essential.
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To be honest, my first instinct when I heard about the 'Greendale' project was that it was a licensing thing. As I learned more about the project, I saw how pure it was.
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I can't afford to step away from acting, but the one thing I've learnt after all these years is that I don't fit in. It's very difficult to be at the mercy of other people's whims and visions.
