David Biespiel Quotes
Quotes to Explore
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My first audition was for a commercial for the lottery. I didn't get it, so I hate the lottery.
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An explanation of cause is not a justification by reason.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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It wasn't not being famous any more, or even not being a recording artist. It was having nobody who needed me, no phones ringing, nothing to do. Because I'm still too young to do nothing. I was only 24 when all that happened. Now, at 40, I feel I've got more to give than I ever have.
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So many people love sci-fi, and they're so loyal.
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I'm funny at home too, but not deliberately. My wife is usually laughing at me rather than with me.
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I firmly believe that you live and learn, and if you don't learn from past mistakes, then you need to be drug out and shot.
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I never felt truly at home in Switzerland.
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There are certain men and women who, from the minute they step in front of a camera, that's exactly where they belong. Connery's one.
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History will treat me right.
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Society just has a way of inhibiting you, which is good and bad.
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Sow good services: sweet remembrances will grow from them.
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I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose.
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I'm not a politician.
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There's only two choices when life goes wrong. You deal with it, or you check out, and, like 90% of people, I go for the former.
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Enrique Muricano isn't afraid to try something new, to take risks, to possibly fail, and in turn, set himself apart.
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Our viewers are very educated, they can tell if I train or not.
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Not engaging in ignorance is wisdom.
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I usually sing a lot on my mixtapes. I sing a lot on songs that just really aren't singles. Even my first single, 'My Last,' which I feel like is more pop than anything - I was originally singing the chorus on there. I'm used to that. I've always had fresh melodies.
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Eileen Ford wanted me to fix my nose and my teeth. I said, Sure, great, but I really had no intention to.
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I've lived in New York for a really long time.
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There's a thing at the Museum of Natural History in New York, where I live: they have a stairwell where you follow the beginning and the course of this planet, and it's a very long stairwell, and you follow, and you follow, and then you reach the top, and we're, like, half a step on the stairwell - the timeline for us on this planet.
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American poetry is a mess. Long live American poetry.
