Talib Kweli Quotes
Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
Quotes to Explore
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People still don't appreciate how ephemeral success is.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
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People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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In Malaysia, we have a lot of divas, like Whitney Houston, Mariah Carey singers. And they were all so so talented, just very talented. For example, there's this one jazz singer, her name is Sheila Majid, and I was always singing her songs.
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Who is that person that comes around and says, 'You are OK, you are worthy, you are special?' That makes all the difference in the world for many of us. Those are the people we appreciate the most.
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I've been a massive obsessive about jazz singers all my life.
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I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
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In my music and my life, I'm honest with my feelings, and people appreciate that. That's just the way I am.
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We don't know where our first impressions come from or precisely what they mean, so we don't always appreciate their fragility.
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That's definitely something I've experienced my whole life - people thinking one thing and then discovering that I'm not, hopefully. So I relate to having to fight that and claim my own identity, when people are trying to throw different ones at me.
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I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.
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I appreciate what I have a lot more than I did when I was younger.
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I appreciate everything that has been done for me. After a difficult start, I've just followed my dreams.
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My music is jazz.
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The Arab world needs to appreciate that legitimate historical claims and modern necessities are what make Israel the homeland of the Jewish people.
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The living environment is the biosphere, the thin layer around the world of living organisms. We're part of that. Our existence is dependent on it in ways that people haven't even begun to appreciate. Our existence depends not just on its existence, but its stability and its richness.
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I think that white people are not seen as people with racial histories.
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You cannot be anything if you want to be everything. But if you are content to be something, you may by analogy be many things.
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Regardless of who you are, I believe that everybody in this country is entitled to justice.
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I snootily say I can't take too many dramatic parts, as it's taking work from actors who aren't funny.
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Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
