Talib Kweli Quotes
Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
Quotes to Explore
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People still don't appreciate how ephemeral success is.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
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People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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In Malaysia, we have a lot of divas, like Whitney Houston, Mariah Carey singers. And they were all so so talented, just very talented. For example, there's this one jazz singer, her name is Sheila Majid, and I was always singing her songs.
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Who is that person that comes around and says, 'You are OK, you are worthy, you are special?' That makes all the difference in the world for many of us. Those are the people we appreciate the most.
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I've been a massive obsessive about jazz singers all my life.
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I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
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In my music and my life, I'm honest with my feelings, and people appreciate that. That's just the way I am.
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We don't know where our first impressions come from or precisely what they mean, so we don't always appreciate their fragility.
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That's definitely something I've experienced my whole life - people thinking one thing and then discovering that I'm not, hopefully. So I relate to having to fight that and claim my own identity, when people are trying to throw different ones at me.
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I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.
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I appreciate what I have a lot more than I did when I was younger.
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I appreciate everything that has been done for me. After a difficult start, I've just followed my dreams.
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My music is jazz.
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The Arab world needs to appreciate that legitimate historical claims and modern necessities are what make Israel the homeland of the Jewish people.
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Jazz is a beautiful woman whose older brother is a policeman.
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I appreciate good work no matter where it's coming from.
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I think we're very lucky that there is a tradition of British actors working in America and being respected in America, and I've always liked Kate Winslet and her work and respected her.
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All of us are different. That's what makes us interesting and special. I don't want to be anything like another person. I want to be totally myself and go against the grain, forge my own path. I've learned that being different is what makes you stand out. It makes everything so much more intriguing.
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Experts now talk about the ‘nutrition transition’, in which populations in developing countries move straight from malnourishment to obesity.
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Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
