Talib Kweli Quotes
Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
Quotes to Explore
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People still don't appreciate how ephemeral success is.
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If you ask me, rockabilly has had a raw deal for far too long. People never shunned the blues or jazz the way they do rockabilly. But it's the original punk-rock, and it changed the way people looked at music for ever.
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I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
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People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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In Malaysia, we have a lot of divas, like Whitney Houston, Mariah Carey singers. And they were all so so talented, just very talented. For example, there's this one jazz singer, her name is Sheila Majid, and I was always singing her songs.
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Who is that person that comes around and says, 'You are OK, you are worthy, you are special?' That makes all the difference in the world for many of us. Those are the people we appreciate the most.
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I've been a massive obsessive about jazz singers all my life.
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I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
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In my music and my life, I'm honest with my feelings, and people appreciate that. That's just the way I am.
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We don't know where our first impressions come from or precisely what they mean, so we don't always appreciate their fragility.
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That's definitely something I've experienced my whole life - people thinking one thing and then discovering that I'm not, hopefully. So I relate to having to fight that and claim my own identity, when people are trying to throw different ones at me.
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I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.
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I appreciate everything that has been done for me. After a difficult start, I've just followed my dreams.
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My music is jazz.
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The Arab world needs to appreciate that legitimate historical claims and modern necessities are what make Israel the homeland of the Jewish people.
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I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.
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That's why I loved Dinah Washington. She sung jazz, but they called her the Queen of the Blues. She had the control and sophistication of jazz in her note selection and how to attack a song or certain lines, but then attacked it with a painful force of blues behind it. That's why I admired her so much, because of that versatility.
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I just open my mouth and out it comes.
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The best things in life are gifts from the One who steadfastly loves us. But an important question to ask ourselves is this: are we in love with God or just His stuff?
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One of the things about having worked at certain places is that it becomes very hard after you stop working at them to continue a relationship, to continue even reading them. So I must confess that I don't read 'New York' magazine anymore.
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Hopefully, we learn to appreciate hip-hop here so that it doesn't go the way of jazz.
