David Coulthard Quotes
I can't stand it when Lewis Hamilton or anyone else, is made out to be a godlike character. If Lewis was driving for Red Bull I'm sure he would race extremely well, but he'd be battling for points.
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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The analysis of character is the highest human entertainment.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
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Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
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My girlfriend tells me if I'm doing a movie I'm a roller coaster of emotions all the time, but on 'Boardwalk,' because I've done it for so long and I'm so in tune with the character, she says I'm pretty happy most of the time.
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It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
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Switching the public's perception and view of me was, and still is, kind of a challenge to get them to see me outside of a character that I played on TV for so long.
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We like to put people on a pedestal, give them one character trait, and if they step outside of that shrinelike area that we blocked out for them, then we will punish them.
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Once a landscape is industrialized, its wild character is lost for good. You can't recreate untouched tundra, mountain meadows, crystal clear streams, and animals that have never encountered toxic waste.
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The contemporary crime novel is, at its best, a novel of character. That's where the suspense comes from.
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One of the fun things as an actor is to find a character that if you were to look up a rap sheet about them, you might say, 'I don't really necessarily want to hang out with this guy' or 'I would never be this kind of guy in my life.' I think it's part of an actor's job to say, 'Maybe you could be.'
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American violence is public life, it's a public way of life, it became a form, a detective story form. So I should think that any number of black writers should go into the detective story form.
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The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery.
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I can't stand it when Lewis Hamilton or anyone else, is made out to be a godlike character. If Lewis was driving for Red Bull I'm sure he would race extremely well, but he'd be battling for points.
