Georg Nees Quotes
Das immer gegenwärtige Zufallselement im künstlerischen Erzeugungsprozeß erfaßt die generative Graphik modellmäßig durch den Einbau von Zufallsgeneratoren in die Programme. Die Zufallsgeneratoren beteiligen sich an der Strukturierung der generierten Information, schaffen dabei unvorhersehbar Neues und erweisen sich dadurch als die zweite schöpferische Instanz neben dem Programmierer . . .
Quotes to Explore
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Eighty percent of my life is normal like any other mother. I worry about my children, if they're doing all right. I worry that my husband is doing well. The 20 percent is just the queen aspect that factors in. But for me, it's life as usual, and it's just taking care of my family.
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Lead us not into temptation. Just tell us where it is; we'll find it.
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Becoming a leader is synonymous with becoming yourself. It is precisely that simple, and it is also that difficult.
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I've always felt that the obligation of teachers is to have a huge, broad overview and to provide a foundation course to the students. The long view of history is absolutely crucial.
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I'm not on the radio all day long. I'm not on TV.
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The way to a man's heart is through his chest.
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I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.
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Education, housing and hospitals are the most important things for society.
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In Europe we could do it, if we fly as soon as the event is over.
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I know something quite sure. We'll never have peace with this Syrian regime. They'll never give us relief, and we'll never forget that.
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I try to play my game and that's being emotional because I'm that kind of guy.
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I believe in music.
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In general, exchange reactions for the lighter isotopes have equilibrium constants sufficiently different from unity, so that the ratios of concentrations of the isotopes in two compounds which are in equilibrium differ by a few per cents in nearly all cases.
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I was having a conversation with my father and he was talking about this thing - strangeness and charm. It's actually the name of the two smallest particles that there are when you split the atom, so I wrote a song around it. I even managed to fit the word 'hydrogen' in there. Isn't that a nice thing for scientists to call them though?
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I think it's time that we all be there for the children, to learn from the ones who came before us, and to teach our sons and daughters to have respect for themselves.
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We used to fight the LRA with only one dimensional force that only walks on foot, but now, we have got multiple forces to fight the rebels.
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Some is more equal than others, as is well known. It ain't that your majority is outnumbered, you're just out-surrounded.
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I do have an occasional temper - I sort of inherited my dad's short fuse.
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My grandfather was a chef for a Baron in Sicily before he came to America. I grew up with him. I used to do my homework at one end of the kitchen table while he cooked at the other end.
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Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.
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When you're on tour you definitely don't want lots of arguments. It's very important that everybody gets on because you're in close proximity a great deal of the time.
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If we continue to allow the federal government to live beyond its means, we will all soon have to live beneath ours.
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What I've always been most interested in is exposing the way stories and fantasies reconstitute our everyday reality. What appears to be non-fiction is not only totally mysterious, unfathomable, and strange when you really look at what it is.
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Das immer gegenwärtige Zufallselement im künstlerischen Erzeugungsprozeß erfaßt die generative Graphik modellmäßig durch den Einbau von Zufallsgeneratoren in die Programme. Die Zufallsgeneratoren beteiligen sich an der Strukturierung der generierten Information, schaffen dabei unvorhersehbar Neues und erweisen sich dadurch als die zweite schöpferische Instanz neben dem Programmierer . . .
