David Garrett (David Christian Bongartz) Quotes
A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.
Quotes to Explore
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.
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Seriously, who really cares how long the Nile river is, or who was the first to discover cheese? How is memorizing that ever going to help anyone? Instead, we need to give kids projects that allow them to exercise their minds and discover things for themselves.
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I may have managed to build a successful technology startup that had gone public by the time my three kids hit their 13th birthdays, but don't think that bought my wife and me any special respect from our teenagers.
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I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
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When you're trying to bring the streets into rap to prove a point, then you already lost. You separate the two, and that ain't to be played with. You've got people that lost their lives and people that are doing real time. If we gon' make music, let's just make music.
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Sports without music is just a game. Music makes it entertaining.
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I quit high school on my birthday. It was my senior year and I didn't see the point. This was 1962, and I was ready to make music.
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I'm an old-school, embarrassing Joni Mitchell fan. Her music made a hook in my soul and hasn't let go for all these years. I even sing her songs as lullabies to my kids.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
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Kids are starting at such a low base rate in terms of fitness that it's taking them years to catch up to where people like me started from. Every little bit is making it more difficult for kids to succeed on a world stage.
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I have taken the marshmallows off the sweet potatoes, however. They would make a big pan of sweet potatoes and cover it with marshmallows. My kids would love it if I would do that for them!
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I think listening to real classic soul material made me learn how to feel music that's sung.
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The '60s is one of my favourite eras in general. I love '60s music, and I've always wanted to do a period film.
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There are two things that I cannot live without: music and books. Caffeine isn't dignified enough to qualify.
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I did a forward roll for the kids the other day, thinking it'd be a breeze like it was when I was six, and I had to lie flat for about 20 minutes afterwards - 'Leave mummy alone; she's feeling a bit dizzy.'
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I made the decision that I was going to make rap music in, like, fourth grade, so it's been something I was saying for a long time.
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Often the hands will solve a mystery that the intellect has struggled with in vain.
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All your thoughts are in another head. Your dreams are sleepin' in a different bed. The force that moves you is a circular breath of life and death going round and round and round.
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What is called an acute knowledge of human nature is mostly nothing but the observer's own weaknesses reflected back from others.
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An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.
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A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.
