George Brandis Quotes
I am a very, very strong advocate of the notion that we shouldn't equate the arts with other aspects of infrastructure. They have a unique role in any civilised society and that requires appropriate and targeted government support.
Quotes to Explore
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You don't go out and change your gender for a television show, O.K.? It ain't happening. I don't care who you are.
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Western enthusiasm for democracy stops when those opposed to its policies are elected to office.
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I find the whole situation of confronting an audience terrifying.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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I don't want to look back at my career and see a string of incredibly commercial projects that don't have much heart. I'm looking for things that have soul.
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If I have to draw attention away from some hormone-induced acne on my chin, I put on a lot of mascara.
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Upon the death of my father, our family and myself were emotionally and financially exhausted.
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A lot of productivity is capturing ideas. I use a wiki - it's more valuable than e-mail for running a company - and I have a page for every person with whom I interact frequently.
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You tax Mexico? The president of the United States is going to tax Mexico to get a wall for the United States of America? I'm pointing out the absurdity of a lot of these comments.
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I just took everything so seriously in my early twenties. But now I'm like, 'life can be fun.' You don't have to overthink everything. I've found a way to be more at peace with things. I'm looking forward to turning 30.
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This is not a country that has had a tremendous sympathy for poor people, so I think that the notion that somehow we have slipped into an era in which poor people don't matter is not quite the way our history would define it.
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To be here recovers from a state of soul, from a state of mind. I have the memory of the heart. I know what I received. I must have the will to give back to others.
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So, Japan as a country has lost its vigor; it feels very much closed in for various reasons.
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We used to fight the LRA with only one dimensional force that only walks on foot, but now, we have got multiple forces to fight the rebels.
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I think about what I'm eating every day. I still have burgers and stuff that's not good for me sometimes, but I'm always trying to be careful. I don't just eat whatever I want.
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If I don't wear something I feel confident in, I don't play as well.
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The threat is desertification. My response is a sandstone wall made from solidified sand.
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It is only from the perspective of the outlaw … that we are able to see that mythically informed normality is a form of mass hypnosis.
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It's not like I'm starved for company - I have a few very good lady friends - but there's only a certain amount of times a woman wants to see you and never go out for dinner.
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I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
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I was reading poetry to my girlfriends, and they were like, 'You're really good. You should go to some poetry readings or something.' And I eventually went and got a, you know, somewhat of a name for myself and a little bit of a following.
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Acting is secondary - I don't feel like it's going to stick around because it's not something I want to do forever. My art has always been my top priority and I have far more experience in that field than I do in film.
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I am a very, very strong advocate of the notion that we shouldn't equate the arts with other aspects of infrastructure. They have a unique role in any civilised society and that requires appropriate and targeted government support.
