David Kassan Quotes
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
Quotes to Explore
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I love dogs, but dogs, you have to be in the country with dogs. I cannot walk a dog on the street.
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The goal of Dr. Martin Luther King is to give Negroes a chance to sit in a segregated restaurant beside the same white man who had brutalized them for 400 years.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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I knew the profanity used up and down my street would not go over the air... So I trained myself to say 'Holy Cow' instead.
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I still get rejections - frequently - and my goal isn't to never fail, to never be turned down, but simply to succeed more often than I don't. And in order to do that, I have to constantly put myself out there, to judgment, critique, and rejection.
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It was never my goal to be an actor.
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Wherever you look there are inspirations, books, literature, paintings, landscapes, everything. Just living is an inspiration.
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Street and park trees provide tremendous benefits to cities.
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I think we do better as a country when we go step by step toward a goal, and the goal in this case should be reducing health care costs.
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By its very nature, hard-line ideology is self-serving and self-perpetuating; its primary goal is to survive - and that precludes everything.
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When I appeared in 'Coronation Street,' I lived in Manchester and enjoyed it very much.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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I had no ambition to make a fortune. Mere money-making has never been my goal, I had an ambition to build.
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Discussion is just a tool. You have to aim; the final goal must be a decision.
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My wealth is not a subject I relish discussing.
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Creative risk taking is essential to success in any goal where the stakes are high. Thoughtless risks are destructive, of course, but perhaps even more wasteful is thoughtless caution which prompts inaction and promotes failure to seize opportunity.
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My goal is to give young girls confidence in this world so they can be more like men in the decision-making process.
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I still have certain goals that I want. Grammies... Other awards... an Oscar one day.
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Do ask yourself why you, the individual, exist, and if you can get no other answer try for once to justify the meaning of your existence as it were a posteriori by setting before yourself an aim, a goal, a 'to this end', an exalted and noble 'to this end'.
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The backside of heroism is often rather sad; women and servants know that. They know also that the heroism may be no less real for that. But achievement is smaller than men think. What is large is the sky, the earth, the sea, the soul.
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The place they go towards is a place even less imaginable to us than the city of happiness. I cannot describe it at all. It is possible it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.
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I do yoga and weights, mainly. I still box. I box once a week, but I don't get punched in the face anymore. I just hit the bags now. I'm done with that competitive side of it.
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I have complete faith in the continued absurdity of whatever’s going on.
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I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
