Zadie Smith Quotes
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
Quotes to Explore
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It is better not to express what one means than to express what one does not mean.
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You are rich if and only if money you refuse tastes better than money you accept.
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Whatever you got you have to accentuate. I ran my female card up and down the ladder my whole career, because I was in a man's world. It was worked by women but owned by men. I was the only female owner in my field at that time.
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There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
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I didn't choose to write a military man as much as Vince Haven chose me.
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I've never been good at meditation, but surfing is the closest I've ever come to that inner something.
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Soldiers are not policemen, and it's very unfair, even for those soldiers who have some police training, to burden them with police duties. It's not what they're trained for, or equipped for.
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I like to be supportive and a role model.
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My mom was Jewish, so some would call me Jewish.
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I think 'Tap Dogs' has lasted so long because people have a natural interest in tap dancing. This form of dancing can't be dated, it's such an intriguing form of dance because the feet are also an an instrument.
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I liked English and art and did a lot of painting. And for some reason I was good at math, but I wasn't an A student. I really had to work hard to get good grades.
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Every historian with professional standards speaks or writes what he believes to be true.
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'All in With Laila Ali' is educational, inspirational, compelling programming profiling individuals that have reached for the sky, pushed themselves to the limit and did things that you would think were impossible.
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There's a tremendous intellectual fervor among independent filmmakers, and that has to be cultivated.
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I missed quite a lot of school because I was working from the age of 11.
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I hate wars and violence but if they come then I don't see why we women should just wave our men a proud goodbye and then knit them balaclavas.
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When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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In the beginning, everybody that gets to work with me, thinks I'm nice. But three weeks later, they hear a bell ringing. Then they realise I meant everything I said during that first week. It's not my fault people are not taking me serious from the first moment.
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You try to say every week that you're facing a faceless opponent. No matter who it is, you want to have the same mindset, no matter what type of game it is - first game of the season, last game of the season.
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It is by such means as the prize offered by your Committee that the attention of the world will be focused and that men and women will be inspired to greater efforts in the interest of peace.
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I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
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People have this obsession. They want you to be like you were in 1969. They want you to, because otherwise their youth goes with you. It's very selfish, but it's understandable.
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There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
