Zadie Smith Quotes
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Working with great writers can be humbling and frightening, but it can also change you for good, forever.
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The lack of alternatives to an illegal action does not legitimise that action.
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You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
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Young people understand the world. They should be listened to on matters of politics and world organization. But they know nothing of their own lives.
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If you love a young writer, maybe the best thing you can do is give them a little bit of space.
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I can't add. I don't understand basic science. Or anything else. But I can read anything. I've always been able to, and I've always liked to. Even if I didn't understand it, I liked to.
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Don't confuse honours with achievement.
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I noticed in America that if you write a book of any kind, you're made to be the representative of all the issues that might surround it.
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I like books that don't give you an easy ride. I like the feeling of discomfort. The sense of being implicated.
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I'm very attracted to exile literature - particularly Nabokov - exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
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If religion is the opiate of the people, tradition is an even more sinister analgesic, simply because it rarely appears sinister. If religion is a tight band, a throbbing vein, and a needle, tradition is a far homelier concoction: poppy seeds ground into tea; a sweet cocoa drink laced with cocaine; the kind of thing your grandmother might have made.
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Desperation, weakness, vulnerability - these things will always be exploited. You need to protect the weak, ring-fence them, with something far stronger than empathy.
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Jerome said, It's like, a family doesn't work anymore when everyone in it is more miserable than they would be if they were alone, You know?
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Nowadays, I know the true reason I read is to feel less alone, to make a connection with a consciousness other than my own.
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We cannot be all the writers all the time. We can only be who we are.
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13.5 Mrs. Wolfe asks whether Mr. Iqbal expects her Susan to undertake compulsory headstands. 13.6 Mr. Iqbal infers that, considering Susan's academic performance and weight problems, a headstand regime might be desirable.
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I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy.
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There is a kind of desperate need for somebody to tell everyone what to do, which I find really peculiar in America. And then when you tell them, they're not interested, because it's also a country where everybody's opinion is their opinion, and they really don't give a damn what you think. So it's a very odd experience.
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Nabokov, who I loved more than any other writer when I was young, had such contempt for dialogue. When I was younger, I never wrote a word of dialogue because of him. I thought it was a childish part of a novel.
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The belief that consciousness extends beyond death is surely to put more belief in the permanence of self, not less. That seems to me a comfort that you're allowing yourself.
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Tell the truth through whichever veil comes to hand - but tell it. Resign yourself to the lifelong sadness that comes from never being satisfied.
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I wouldn't write about people who are living and who are close to me, because I think it's a very violent thing to do to another person. And anytime I have done it, even in the disguise of fiction, the results have been horrific.
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When I see my friends engaging in a Twitter war for an afternoon, I think that would destroy me for a month.
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She represents love, beauty, purity, the ideal female and the moon...and she's the mystère of jealousy, vengeance and discord, and, on the other hand, of love, perpetual help, goodwill, health, beauty and fortune.