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If you asked me if I wanted more joyful experiences in my life, I wouldn't be at all sure I did, exactly because it proves such a difficult emotion to manage.
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Young people understand the world. They should be listened to on matters of politics and world organization. But they know nothing of their own lives.
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Don't confuse honours with achievement.
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I don't keep any copies of my books in the house - they go to my mum's flat. I don't like them around.
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The lack of alternatives to an illegal action does not legitimise that action.
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Don't we all know why nerds do what they do? To get money, which leads to popularity, which leads to girls.
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If you love a young writer, maybe the best thing you can do is give them a little bit of space.
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I like books that don't give you an easy ride. I like the feeling of discomfort. The sense of being implicated.
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I noticed in America that if you write a book of any kind, you're made to be the representative of all the issues that might surround it.
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I'm very attracted to exile literature - particularly Nabokov - exactly because the idea of being away from home for any serious length of time is so inconceivable to me.
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Desperation, weakness, vulnerability - these things will always be exploited. You need to protect the weak, ring-fence them, with something far stronger than empathy.
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We cannot be all the writers all the time. We can only be who we are.
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Jerome said, It's like, a family doesn't work anymore when everyone in it is more miserable than they would be if they were alone, You know?
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Nowadays, I know the true reason I read is to feel less alone, to make a connection with a consciousness other than my own.
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I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy.
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The belief that consciousness extends beyond death is surely to put more belief in the permanence of self, not less. That seems to me a comfort that you're allowing yourself.
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There is a kind of desperate need for somebody to tell everyone what to do, which I find really peculiar in America. And then when you tell them, they're not interested, because it's also a country where everybody's opinion is their opinion, and they really don't give a damn what you think. So it's a very odd experience.
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13.5 Mrs. Wolfe asks whether Mr. Iqbal expects her Susan to undertake compulsory headstands. 13.6 Mr. Iqbal infers that, considering Susan's academic performance and weight problems, a headstand regime might be desirable.
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I wouldn't write about people who are living and who are close to me, because I think it's a very violent thing to do to another person. And anytime I have done it, even in the disguise of fiction, the results have been horrific.
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Tell the truth through whichever veil comes to hand - but tell it. Resign yourself to the lifelong sadness that comes from never being satisfied.
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Asking why rappers always talk about their stuff is like asking why Milton is forever listing the attributes of heavenly armies. Because boasting is a formal condition of the epic form. And those taught that they deserve nothing rightly enjoy it when they succeed in terms the culture understands.
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Nabokov, who I loved more than any other writer when I was young, had such contempt for dialogue. When I was younger, I never wrote a word of dialogue because of him. I thought it was a childish part of a novel.
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She represents love, beauty, purity, the ideal female and the moon...and she's the mystère of jealousy, vengeance and discord, and, on the other hand, of love, perpetual help, goodwill, health, beauty and fortune.
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When I see my friends engaging in a Twitter war for an afternoon, I think that would destroy me for a month.