Zadie Smith Quotes
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When people use that stream of consciousness, it's kind of just a term they use for anything that looks slightly different on the page.
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When I was 13, I really used to skip down the street, happy in thinking, "Oh, well, someone's suffering pain in order for me to feel this pleasure."
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You must live life with the full knowledge that your actions will remain. We are creatures of consequence.
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(and Catholics give out forgiveness at about the same rate as politicians give out promises and whores give out)
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The arena of women's lives is somewhat more intimate. If a woman goes out with an incredibly attractive man and they break up, that woman is not more attractive to men. It's completely irrelevant to them. That's an example of the way women's minds work.
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Pulchritude--beauty where you would least suspect it, hidden in a word that looked like it should signify a belch or a skin infection.
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Then you begin to give up the very idea of belonging. Suddenly this thing, this belonging,it seems like some long, dirty lie ... and I begin to believe that birthplaces are accidents, that everything is an accident. But if you believe that, where do you go? What do you do? What does anything matter?
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For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
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He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
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When I was young, I was very technical about these things. I didn't like to admit to any intimate relation with what I was writing.
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It seems to me,' said Magid finally, as the moon became clearer than the sun, 'that you have tried to love a man as if he were an island and you were shipwrecked and you could mark the land with an X. It seems to me it is too late in the day for all that.' Then he gave her a kiss on the forehead that felt like a baptism and she wept like a baby.
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The choices a writer makes within a tradition - preferring Milton to Moliere, caring for Barth over Barthelme - constitute some of the most personal information we can have about him.
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A lot of [George Saunders] early stories now feel prophetic. Take the recent election [of Donald Trump]. Historians in 100 years might write about it as being the first internet election, in which what happened was actually an expression in the real world of a virtual reality. And you've been writing about that subject for a while.
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The young people have a phrase for this now, which is "slay in your lane." That's a very important principle of writing. You have to work out what it is you can't do, obscure it, and focus on what works.
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I always remind myself that [ Jean-Paul] Sartre and [Simone] de Beauvoir didn't have children. And when you don't have children, it might be easier to believe that the child doesn't come with something.
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Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.
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And now the moment. Such a moment has a peculiar character. It is brief and temporal indeed, like every moment; it is transient as all moments are; it is past, like every moment in the next moment. And yet it is decisive, and filled with the eternal. Such a moment ought to have a distinctive name; let us call it the Fullness of Time.
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(Feedback) People become addicted to it. That’s why journalism is so popular, because you want to hear, every day, what people think of what you just wrote. I think a little patience on that front can be good, too.
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It has historically been a comfort for the bourgeois and that you can read the most extreme books and not change. You can read A Christmas Carol and not change in any way.
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It made me feel that I had to work very hard, but I've always felt I had to work very hard to get my own approval.
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The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
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Those beliefs about the essential goodness or beauty of the world are fundamentally paper-thin bullshit. There's not an essential belief that isn't a contingent belief. It could all be destroyed in a second, at any second. And I have an issue with that.
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No matter what anyone says, suicide takes guts. It's for heroes and martyrs, truly vainglorious men. Archie was none of these. He was a man whose significance in the Greater Scheme of Things could be figured along familiar ratios: Pebble : Beach Raindrop : Ocean Needle : Haystack
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The really heroic thing about Nick Hornby is that he lives in north London and rarely leaves it... Every English writer needs their corner that is forever England - but only a few brave men choose to make that corner Highbury.