George H. Smith Quotes
It is my firm conviction that man has nothing to gain, emotionally or otherwise, by adhering to a falsehood, regardless of how comfortable or sacred that falsehood may appear.
Quotes to Explore
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Comfort the afflicted, and afflict the comfortable.
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I'm very comfortable being naked. It's one of my favorite things to do.
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I wasn't really comfortable reading until I was 12.
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Feeling comfortable in my own skin has never been easy for me.
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I definitely feel more comfortable in my own skin since turning 40.
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Sometimes women who are taller aren't comfortable with it, but I love being tall.
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My camps are always ten weeks. That's what makes me comfortable.
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I feel like somehow I'm living my life mentally in reverse. It's taken me to my 30s to feel relaxed and comfortable in my skin. I think I'm going to be dancing on tables when I'm 50. I really hope I am.
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I feel comfortable with the ball in my hands.
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You know, I'm a curvy woman and I just want to be comfortable with that.
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I don't feel comfortable with luxury, and I try to stay fairly normal.
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I've worked very hard to become comfortable with how death works and why it happens. I now know that death isn't out to get me.
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All the things worth writing about are outside me. I'm a lens, not a source. And even if it's not always a comfortable journey, it's always a stimulating one.
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I have a twin brother, so I was around guys like a sister. It was comfortable to me.
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We don't talk about courage much in our everyday conversations, but I am comfortable with it now.
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If I am comfortable with my co-star, then that always shows in my performances.
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Arthur had heard Peggy say that she didn’t wish for more comfortable furniture, because if the chairs were softer, company would be inclined to stay longer.
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I don't see anything wrong with being comfortable with my own skin.
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Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
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It is important for me to tell my story so that others feel comfortable telling theirs.
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It is my firm conviction that man has nothing to gain, emotionally or otherwise, by adhering to a falsehood, regardless of how comfortable or sacred that falsehood may appear.
