Parker Posey Quotes
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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I love diamond facials - they leave me glowing and refreshed.
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I feel totally French – I don't feel half-French because of my dual nationality. For me, dual nationality just means I don't deny my roots.
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The most memorable engagement for me, I suppose, was an away-day to Leicester. I went without William, so I was rather apprehensive about that.
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I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.
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My problem with new writers is that it takes me five or six years to memorise the right names.
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Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I had an unhealthy obsession with 'Only Fools and Horses.' I still have to watch an episode with my brother every two or three weeks.
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Just watching Jack Lemmon made me want to get into this business.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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I've walked away in the middle of a conversation and had no idea that was wrong until someone told me I was being rude.
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If even dying is to be made a social function, then, grant me the favor of sneaking out on tiptoe without disturbing the party.
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A fantasy of mine is to do a podcast that's Marcel Marceau and I, and you only hear me laughing at him and trying to figure out what he's doing.
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I was brought up in a house full of women; the first time I realised no one was interrupting me was when I was on stage - that's probably the subconscious reason I became an actor.
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From the moment I wrote 'Leaf Storm' I realized I wanted to be a writer and that nobody could stop me and that the only thing left for me to do was to try to be the best writer in the world.
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I'm not a very fast-paced person.
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I love Africa.
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I have a twin brother, so I was around guys like a sister. It was comfortable to me.
