Barbara Kingsolver Quotes
As a biologist, I can't think of myself as anything but an animal among animals and plant.
Quotes to Explore
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It is hard enough to make a plan for how you are going to spend an evening with somebody else. So to make a plan for how you are going to behave in 25 years seems based on a view of life that is incomprehensible to me.
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I usually say I left puberty at 58.
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The metaphor for Palestine is stronger than the Palestine of reality.
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In 1979, when I was 39, I had such a bad year, I thought it was all over. Thankfully it wasn't.
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It always surprises me when donors who operate successful businesses assume that just building a school structure means that a community now has access to education. When creating a business, does renting an office space now mean that you're producing goods, training staff and generating revenues?
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What's upsetting about an autobiography is that the final chapter is always missing. I mean, you want the death, don't you?
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I like 'The Nightly Show.' People ask me what it is, and I say, 'If you're watching 'The Daily Show,' and it feels like it's getting a little darker, you're probably watching 'The Nightly Show.''
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When I do retire, I will miss the trips with the team, the jokes with my teammates, the habits: having breakfast with them, playing with them, all the little things.
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Sometimes you resent the people you love and need the most. Love is so fascinating in all its forms, and I think everyone who has ever been a mother will relate to this.
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To understand the hidden secret of the modern industrial world in which I find myself, I have to return to another world. That world is at once wartime Nice and the plantation - the sugar isles on which Europe's prosperity was built.
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With a project like 'The 5th Wave,' you do something you would never do in your normal life; I would never have had S.W.A.T. training or boot camp, and there's something really cool about learning stuff like that that's really fun about our job.
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Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
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I want to play interesting women.
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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
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People will say, 'Just one picture please.' That is how it starts. There is just one picture and then somebody else wants another. And when I say 'No' I feel guilty.
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I started working for the 'NY Observer' when I was 33. After I had been writing for them for about a year and a half the editor said, 'Your stories are the most talked about stories in the 'Observer'; you should have your own column.'
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I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
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All achievements, all earned riches, have their beginning in an idea.
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Bald is the new black!
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To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
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To me it begins and ends with these psychedelic substances. The synergy of the psilocybin in the hominid diet brought us out of the animal mind and into the world of articulated speech and imagination.
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The American people will eventually get hurt by this accumulated deficit. That's the problem. We have too much deficit. We have to find a solution.
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As a biologist, I can't think of myself as anything but an animal among animals and plant.
