Patrick Wilson Quotes
Quotes to Explore
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I don't have a phone, but I do have an iPad.
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When I'm in the studio, I don't finish the song and say, 'That's going to be a big ringtone.'
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When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
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I could sum up the future in one word, and that word is 'boring.' The future is going to be boring.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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Fortunately during my career I have won more or less everything, so I need to enjoy it to have the right motivation.
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I love the quality of TIDAL. I appreciate what they're trying to do and what they're trying to accomplish.
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Love rules the court, the camp, the grove, And men below, and saints above: For love is heaven, and heaven is love.
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Like many people in Britain, I have an affectionate respect for the Queen, and am surprised that I should be having such republican thoughts.
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The thing that I took away as an early fan from Bob Dylan was the storytelling aspects. He can tell some wicked stories.
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If people want to think I'm an Indian prince, I don't want to dispel that notion.
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You cease to move into yourself, away from others. You give up your antagonism. You begin to move toward others in love. God moved toward you in gracious, outgoing love, and you move toward others in that same outgoing love.
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Likewise nanotechnology will, once it gets under way, depend on the tools we have then and our ability to use them, and not on the steps that got us there.
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The functions of the family in a highly differentiated society are not to be interpreted as functions directly on behalf of the society, but on behalf of personality.
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The single worst moment of my life... was the moment I was born.
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I don't really go out at night in terms of noisy, busy places; I prefer more of a quiet corner somewhere.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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I've already got notebooks full of ideas for new music, so I'm gonna kind of nurture that just like I do all of my ideas and perfect it until it's ready and then I'll just let it go.
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Then hast our the Red Stone perfect with less labour, expense of time and costs, for the which ever thank God.
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Truth isn't always beauty, but the hunger for it is.
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I've played in Boston and New York, and it doesn't matter if you're sick, aching - once you step on that field, you're a completely different animal.
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With a profound first-hand knowledge of participants, encompassing linguistic competence, and engaging prose, Padraic Kenney recreates the simultaneously serious and playful currents of East Europe's overthrow of repressive state socialism. What an invaluable guide to the elusive exhilaration that motivated the actors and captivated all of us who followed the transformation with such hope! We can appreciate neither the ebullience of 1989 nor the disappointment with the quotidian reality that followed without understanding Kenney's 'carnival.'
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Despite the successes, you remember the failures - rather lovingly.
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You're defined by your older brothers' or sisters' music.
