Pat Robertson Quotes
'That guy was a homo - as sure as you're alive.' - Robertson, describing a caller during his appearance on the Larry King Show (Windows Media Video)
Quotes to Explore
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I think talent makes me really attracted to someone more than anything.
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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I don't choose to make movies as small as the movies I've made. The combined budget of my two films is far under $5 million, but it's just by necessity that it ends up being that way.
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Along with issues like global warming, I think a problem with the world today is population decline.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
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And as long as people want to hear me sing, I don't know why I'd retire.
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I'd hate this to get out but I really like opera.
Ford Frick -
I never went to school more than six months in my life, but I can say this: that among my earliest recollections, I remember how, when a mere child, I used to get irritated when anybody talked to me in a way I could not understand.
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Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.
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I like to play the weirdos. I like to play the people that are hard to like. You get to say and do things that you would never say and do in real life.
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I had to get out of America to get a professional life going where I could actually make a living.
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If you actively do something, it will stop making you feel like a victim and you'll start feeling like part of the solution, which is just a huge benefit to your body and your psyche.
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I enjoy science, and I'm a very curious person. I always want to know the reason behind everything, big or small.
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I am into nature and seeing whales. I went whale-watching, and I was really looking forward to that, but when you see it on TV and you see other programs do it, you're seeing close-ups of these massive creatures, and the music that's added gives you a certain feeling.
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How do you live with evil? Art is traditionally - certainly with my secular background - the answer, but art is very self-referential, whereas religion claims to go beyond the bounds of human existence.
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If you give a good performance, something that gets some feeling across to people, that's such a rare gift. It's underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
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I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
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At least Bank of America got its name right. The ultimate Too Big to Fail bank really is America, a hypergluttonous ward of the state whose limitless fraud and criminal conspiracies we'll all be paying for until the end of time.
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There's something about seeing a guy's feelings written down, something about him taking that risk and committing that heart to paper, that means so much more than anything he could just say.
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Pop belonged to more musical people in earlier times, but we've sort of gotten away from that. Now it's software people. I kind of feel like reclaiming it is in order.
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I don't know what's going to happen tomorrow and I can't relive yesterday but I live in the moment if I can.
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No one wants to hear from the producer. He's the guy by the pool with a cigar in his mouth and a couple of lovelies on his arm. But when you're a director, they want to hear what you have to say about everything - the war, the world.
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'That guy was a homo - as sure as you're alive.' - Robertson, describing a caller during his appearance on the Larry King Show (Windows Media Video)
