Georgia May Jagger Quotes
Quotes to Explore
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I always do my interviews face to face.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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There are moments when I am really not happy with how I look, or I think it would be an easy way out to try and do the conventionally attractive thing. But part of it is that I don't have the energy to put on, like, makeup. If people want to do that, that's fine. But I've learned that it's not for me.
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As a European I had fit in almost seamlessly in New York for the last 25 years, but in Oklahoma I stood out like a sore thumb.
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There are no limits to our future if we don't put limits on our people.
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Those who promise us paradise on earth never produced anything but a hell.
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Every stress leaves an indelible scar, and the organism pays for its survival after a stressful situation by becoming a little older.
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If you care about yourself and what you do, you get nervous about it. You just don't take the money and go home.
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The purpose of art is washing the dust of daily life off our souls.
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In the aftermath of a marriage, you feel helpless and hapless.
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My life has changed. I'm not walking around any more wishing I wasn't me, which was the case at one time.
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The characters in my stories all have quite loud lives in my head. It's a relief to get them on the page. Often they come from people I've noticed or overheard - but that is only a part of them. It's only by writing that I discover who these people really are.
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'One thing there's no getting by- I've been a wicked girl.' said I; 'But if I can't be sorry, why, I might as well be glad!'
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I had this lump in my throat, but I couldn't even cry. I thought, I shouldn't have gotten my hopes up. I was just sitting there in my car that I was two months behind on payments for, knowing I didn't have money for rent.
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Ours was not always a nation of homeowners; the New Deal fashioned it so, particularly through the G.I. Bill of Rights.
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It captures a lot of the spirit of the '50s.
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I worked at Barney's selling clothes to lonely, rich white women. Every time I would look down on myself - hating my job, hating my life - I would think, 'It's a character study. Study these people, and you'll have your SNL audition ready in, like, five minutes.'
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The biggest picture you see is making it to the Super Bowl and winning it. There are a lot of guys who have played 14, 15, 16 years and never been there.
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I like stories that have a social impact and social attributes to them. That's the whole reason we make films: to broaden our limited view of things and to see how life is evolving elsewhere.
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I'm fascinated by the business of belief, obviously, because it's so ever present with humanity anyway. And, you know, when you have science, which constantly talks of proofs, you have religion, which constantly talks of beliefs and faith and so on.
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So whatever I might have started to learn at that age was all undone by the next director and next crew in the next cheap picture, because I was allowed to get away with murder.
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When I'm on the court, I picture myself as like a gladiator.
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Love is a credulous thing.
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I really never thought about the way I looked until boys came into the picture.
