Zac Brown Band Quotes
We bled writing these songs, we bled in the studio, and now we're out bleeding getting them right live.
Quotes to Explore
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I feel like I want to and have to do everything once.
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I met my agent when I was 10 years old on a family skiing vacation. He asked if I was interested in acting, and I had been doing school plays. A couple of years later, I called him up, and I started auditioning.
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I'm a journalist and author. I make my living by finding things out and writing about them.
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It may be a cold, clammy thing to say, but those that treat friendship the same as any other selfishness seem to get the most out of it.
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Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.
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I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
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The worst... was what the Pakistani soldiers did to the Bengali women after their failed rebellion.
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The deadpan brilliance of John McCrea has been underrepresented in music since 2004, when Cake served up 'Pressure Chief.'
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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Americans are not saving enough for retirement.
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I was lucky that I started very young, since I had a very clear idea of what I wanted to do. But my father is very conservative, and he never considered fashion to be a real career but something I could pursue as a hobby. He wanted me to be a doctor, and at one point, I thought of becoming a plastic surgeon.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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Based on a lifetime of observations and a few decades in the markets, I understand that societies, beliefs and fashions all move in long arcs of time. We call these arcs several things: cycles, periods, eras.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries.
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My parents are not theatrical people, but my dad took me to the theater.
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One must learn to love, and go through a good deal of suffering to get to it... and the journey is always towards the other soul.
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I know something quite sure. We'll never have peace with this Syrian regime. They'll never give us relief, and we'll never forget that.
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There were only ever two black kids at my school. I never considered myself to be 'a black kid'. I was who I was. Which isn't to say things haven't happened to me that wouldn't have happened if I wasn't black.
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I don't believe in fad diets.
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There's a lot of traps you can fall into when you are playing someone who existed. If it comes out just as impersonation, that's bad; it has to be an embodiment. You have to live it, not just sound and look like it.
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In terms of pace, I think I just have to revisit my relationship with expectations. That has a little bit to do with comparing ourselves to other people and seeing other people's journey and seeing how they had a certain success at a certain age.
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Posh people blow my mind. Apart from empathy, they're good at everything - true survivalists.
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We bled writing these songs, we bled in the studio, and now we're out bleeding getting them right live.
