Patricia Marx Quotes
Quotes to Explore
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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I decided that I wanted a farm back in 1940 when I was with the Dodgers. I tried to find one within commuting distance of New York.
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I read the Steve Jobs book, and that kind of changed everything. I've been, like, an Apple geek my whole life and have always seen him as a hero. But reading the book, and learning about how he built the company, and maintaining that corporate culture and all that, I think that influenced me a lot.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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I come from a country and also a continent whose identity is in the making. We're a very young culture, and I think that things are not yet crystallised.
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I did all of California from north to south. I did Florida from north to south. I went to the Midwest. I spent time discovering the culture because I thought I was going to stay in America for only two years. Then I decided to come to New York.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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In New York you can just walk out and be among people. You're on the subway among people, you go to cafes, you can talk to people.
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The market is so competitive. There are so many products that are similar. So we are forced to invest in innovative research in new products that are one or two years ahead of the market.
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In the 20th century alone, there have been 1,600 books about the circus. My adding one more would be superfluous unless I do something totally new and different.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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Corporations are the new dictators.
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I still think the best classic meal in New York is a coffee-shop breakfast - you sort of can't skip it.
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New Zealand is a country of thirty thousand million sheep, three million of whom think they are human.
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I don't understand anything about America's culture.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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In order to be universal, you have to be rooted in your own culture.
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I started as a model in Holland and Chanel took me to New York when I was 19, after which I decided to stay.
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It's easy to fall into the trap of thinking our careers will come to a standstill, or worse, crash and burn if we aren't social media butterflies.
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There were a number of people who helped me get there, and the one I always mention is Michael Byrne, the great master swordsman and brilliant stunt double.
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I would love to see Steven Spielberg working. I just think he's the greatest living director.
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New York is rich in culture, cuisine, and commerce.
